This paper describes a theory that explains both the creativity and the efficiency of people's conceptual combination. In the constraint theory, conceptual combination is controlled by three constraints of diagnosticity, plausibility, and informativeness. The constraints derive from the pragmatics of communication as applied to compound phrases. The creativity of combination arises because the constraints can be satisfied in many different ways. The constraint theory yields an algorithmic model of the efficiency of combination. The C3 model admits the full creativity of (...) combination and yet efficiently settles on the best interpretation for a given phrase. The constraint theory explains many empirical regularities in conceptual combination, and makes various empirically verified predictions. In computer simulations of compound phrase interpretation, the C3 model has produced results in general agreement with people's responses to the same phrases. (shrink)

Prior to the twentieth century, theories of knowledge were inherently perceptual. Since then, developments in logic, statis- tics, and programming languages have inspired amodal theories that rest on principles fundamentally different from those underlying perception. In addition, perceptual approaches have become widely viewed as untenable because they are assumed to implement record- ing systems, not conceptual systems. A perceptual theory of knowledge is developed here in the context of current cognitive science and neuroscience. During perceptual experience, association areas in the (...) brain capture bottom-up patterns of activation in sensory-motor areas. Later, in a top-down manner, association areas partially reactivate sensory-motor areas to implement perceptual symbols. The stor- age and reactivation of perceptual symbols operates at the level of perceptual components – not at the level of holistic perceptual expe- riences. Through the use of selective attention, schematic representations of perceptual components are extracted from experience and stored in memory (e.g., individual memories of green, purr, hot). As memories of the same component become organized around a com- mon frame, they implement a simulator that produces limitless simulations of the component (e.g., simulations of purr). Not only do such simulators develop for aspects of sensory experience, they also develop for aspects of proprioception (e.g., lift, run) and introspec- tion (e.g., compare, memory, happy, hungry). Once established, these simulators implement a basic conceptual system that represents types, supports categorization, and produces categorical inferences. These simulators further support productivity, propositions, and ab- stract concepts, thereby implementing a fully functional conceptual system. Productivity results from integrating simulators combinato- rially and recursively to produce complex simulations. Propositions result from binding simulators to perceived individuals to represent type-token relations. Abstract concepts are grounded in complex simulations of combined physical and introspective events. Thus, a per- ceptual theory of knowledge can implement a fully functional conceptual system while avoiding problems associated with amodal sym- bol systems. Implications for cognition, neuroscience, evolution, development, and artificial intelligence are explored. (shrink)

Many kinds of creativity result from combination of mental representations. This paper provides a computational account of how creative thinking can arise from combining neural patterns into ones that are potentially novel and useful. We defend the hypothesis that such combinations arise from mechanisms that bind together neural activity by a process of convolution, a mathematical operation that interweaves structures. We describe computer simulations that show the feasibility of using convolution to produce emergent patterns of neural activity that can support (...) cognitive and emotional processes underlying human creativity. (shrink)

The perception of semantic similarity derives from distinct processes of comparison and integration. A dual process model of conceptual combination claims that attributive combination (e.g., umbrella tree) entails comparison, while relational combination (e.g., pancake spatula) requires integration. The present research uses similarity as a test of this dual process model. Participants (N = 168) were presented attributive and relational conceptual combinations. Half of the participants interpreted the combinations before rating the similarity of their constituent concepts, while the other half provided (...) similarity ratings without interpreting the concepts together. The experiment revealed that attributive combination decreased the perceived similarity of the constituent concepts, whereas relational combination increased the similarity of the constituents. This result indicates that attributive and relational combination occur via distinct processes. Results of a post‐test (N = 60) suggested that these effects were specific to the particular concepts compared or integrated, and do not generalize to other concepts not compared or integrated. The present research thus supported a dual process model of conceptual combination by demonstrating differential effects of comparison and integration on the perception of semantic similarity. (shrink)

Conceptual combinations range from the utterly mundane to the sublimely creative. Mundane combinations include a myriad of adjective-noun and noun-noun juxtapositions that crop up in everyday speaking and writing, such as blue car, cooked carrots, and radio phone. Creative combinations include some of the most important theoretical constructions in science, such as sound wave, bacterial infection, and natural selection. Both mundane and creative conceptual combinations are essential to our attempts to make sense of the world and people's utterances about it. (...) This paper will show how the various aspects of conceptual combination discussed by Hampton (this volume), Shoben and Gagn. (shrink)