The problem of evil is not only a logical problem about God's goodness but also an existential problem about the sense of God's presence, which the Biblical book of Job conceives as a problem of aesthetic experience. Thus, just as theism can be grounded in religious experience, atheism can be grounded in experience of evil. This phenomenon is illustrated by two contrasting literary descriptions of aesthetic experience by Jean-Paul Sartre and Annie Dillard. I illuminate both of these literary texts with (...) a discussion of the 18th Century philosopher Lord Shaftesbury's concept of ‘enthusiasm’. (shrink)

I. Introduction Most philosophers today have never heard of Benjamin Whichcote (1609-83), and most of the few who have heard of him know only that he was the founder of Cambridge Platonism.1 He is well worth learning more about, however. For Whichcote was a vital influence on both Ralph Cudworth and the Third Earl of Shaftesbury, through whom he helped shape the views of Clarke and Price, on the one hand, and Hutcheson and Hume, on the other. Whichcote should thus (...) be seen as a grandparent of both the rationalist and the sentimentalist strands of eighteenth century British ethical theory. In this paper, I will elucidate the particular ethical positions of Whichcote’s that played such an important role. Whichcote’s thought is interesting in its own right, moreover, as a lens for examining the implications of certain prevalent religious and moral commitments. In what follows, then, I will also seek to show that Whichcote’s profoundly theistic view of human nature is ultimately incompatible with the belief that is fundamental to his Christianity. Perhaps the idea of an irresolvable conflict between Whichcote’s Christianity and his theism sounds at first a bit paradoxical. I hope, though, that by the end of this paper it will be clear how, for many 17th century rationalists, such a conflict was virtually inevitable. (shrink)

Shaftesbury believed that the height of virtue was impartial love for all of humanity. But Shaftesbury also harboured grave doubts about our ability to develop such an expansive love. In The Moralists, Shaftesbury addressed this problem. I show that while it may appear on the surface that The Moralists solves the difficulty, it in fact remains unresolved. Shaftesbury may not have been able to reconcile his view of the content of virtue with his view of our motivational psychology.

I begin by demonstrating the inadequacy of the idea that the aesthetic appreciation of nature should be understood as the appreciation of nature as if it were art. This leads to a consideration of three theses: from the aesthetic point of view natural items should be appreciated under concepts of the natural things or phenomena they are, what aesthetic properties a natural item really possesses is determined by the right categories of nature to experience the item as falling under, and (...) the natural world untouched by humanity is essentially aesthetically good. I indicate an unclarity in and identify difficulties facing . I distinguish various versions of , reject certain of these, and fault a number of arguments in support of . I conclude that the idea of the aesthetic value of a natural item is such that it endows the aesthetic appreciation of nature with a freedom and relativity denied to the appreciation of art and renders problematic. (shrink)