We bring out the fact that the essential new quality implied by the quantum theory is nonlocality; i.e., that a system cannot be analyzed into parts whose basic properties do not depend on the state of the whole system. This is done in terms of the causal interpretation of the quantum theory, proposed by one of us (D.B.) in 2952, involving the introduction of the “quantum potential.” We show that this approach implies a new universal type of description, in which (...) the standard or canonical form is always supersystem-system-subsystem; and this leads to the radically new notion of unbroken wholeness of the entire universe. Finally, we discuss some of the implications of extending these notions to the relativity domain, and in so doing, we indicate a novel concept of time, in terms of which relativity and quantum theory may eventually be brought together. (shrink)

Since each term only has significance in contrast to its negation, the distinction between the noumenal and the phenomenal is a Kantian philosophical postulation that is as arbitrary as any binary (e.g., presence–absence) when submitted to Jacques Derrida’s method of deconstruction. According to Noumenism – a philosophy founded on the non-dualistic reinscription of phenomena and noumena – works of art possess elements which are simultaneously sense-data, and no data to any mind. This paradoxical status is achieved by means of an (...) artist-invented mechanism which allows its generative workings to run amok. The mechanism itself is a ‘compound-image’ formed by the paranoiac-critical activity of abolishing the mutual exclusivity of two or more different systems (i.e., the organization of related elements into complex wholes, methods, procedures, techniques, etc.). To illustrate this, an analysis of ‘No. 6’ from Noumenist poet Jason Johnson’s Hymns from Purgatory is undertaken. As they develop, refine or adopt their own philosophies of art, today’s artists and tomorrow’s are challenged to reckon with the ideas put forward in this article. (shrink)