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  1. The Melanchthon Circle, Rheticus, and the Wittenberg Interpretation of the Copernican Theory.Robert S. Westman - 1975 - Isis 66 (2):165-193.
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  • Celestial Spheres and Circles.Eric J. Aiton - 1981 - History of Science 19 (2):75-114.
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  • (1 other version)The Status of Models in Ancient and Medieval Astronomy.Bernard R. Goldstein* - 1980 - Centaurus 24 (1):132-147.
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  • The Symbolic Meaning of Copernicus' Seal.Stanislaw Mossakowski - 1973 - Journal of the History of Ideas 34 (3):451.
    The aim of the paper is to determine why copernicus made a personal seal of the ancient intaglio with the image of apollo playing a lyre, A representation illustrating the myth of phoebus the sun-God and his music as the source of the harmony of the universe. The reasons seem to be: a remarkable role played by the ancient opinions concerned with the harmony of the world in the creative process of copernicus' cosmological theory (his acceptance of "plato's axiom"), The (...)
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  • Music as Art and Science in the Fourteenth Century.André Goddu - 1994 - In Andreas Speer & Ingrid Craemer-Ruegenberg (eds.), Scientia und Ars im Hoch- und Spätmittelalter. de Gruyter. pp. 1023-1046.
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