Berichte zur Wissenschaftsgeschichte, Volume 45, Issue 1-2, Page 189-199, June 2022.

Berichte zur Wissenschaftsgeschichte, Volume 45, Issue 1-2, Page 87-111, June 2022.

The aim of this paper is twofold: The general aim is to shed light on the structure of species discoveries new to biology by bringing together a practice-oriented philosophy of science perspective with a philosophy of language perspective. The more specific aim is to argue that and to show how the overall structure of biological species discoveries comprises aspects of both institutional and non-institutional reality. The author proceeds as follows: he shows that placing the focus on the topic of scientific (...) discoveries enables us to circumvent two long-standing problems. He analyzes three fictional cases of discoveries in order to bring about a greater sensitivity for the concept of discovery. He takes a closer look at a real example – the discovery of a deep-sea anglerfish – and identifies the main structural features of species discovery processes in biology. In order to connect these results with Searle’s account of institutional reality, he provides an overview of the conceptual apparatus needed here. In bringing Searle’s account together with the structural features of species discoveries developed before, he shows to what extent declarative speech acts play a central role in species discovery processes in biology. (shrink)

"Das Humanethologische Filmarchiv ist eine Sammlung von rund 800 Stunden Filmmaterial und 2000 Stunden Tonaufzeichnungen, zusammengetragen vom Verhaltensforscher Irenäus Eibl-Eibesfeldt und seinen Mitarbeitern über einen Zeitraum von vier Jahrzehn- ten. Die Humanethologie versteht sich als Biologie des menschlichen Verhaltens und fragt nach den phylogenetischen Bedingungen komplexer motorischer Abläufe, die sie in einer kulturvergleichenden Perspektive untersucht. Aber wovon genau ist das Human- ethologische Filmarchiv ein Archiv? Dieser Beitrag geht dieser Frage nach, in dem er nach den operativen Ontologien der menschlichen Natur (...) und der photographischen Evidenz fragt, die in das Forschungsdesign der Humanethologie eingelassen sind. The film archive of human ethology is a collection of about 800 hours of footage and 2000 hours of sound recordings, compiled by behavioral scientist Irenäus Eibl-Eibesfeldt and his collaborators over a period of four decades. Human ethology is understood as biology of human behavior and asks about the phylogenetic conditions of complex motor processes, which are investigated in a comparative perspective on culture. But what exactly is archived in the film archive of human ethology? The paper tackles this question by asking about the operational ontologies of human nature and the photographic evidence incorporated into the research design of human ethology. ". (shrink)

The foundation and administration of European Zoological gardens in the 19th century is analized. It is significant of such new institutions, that they are founded in the large cities, and that most of the founders looked at the great models in Paris and London, which are described first. Further it is shown that the change from princely menageries to public Zoological Gardens is caused both by common interests in people's education and pleasure and by scientific aims which leaded to choose (...) the name Zoological “garden” in analogy to botanical gardens. It seems to be characteristic of such public institutions created by citizens in the 19th century that they are mostly supported by commercial or scientific local societies. This is exemplified by describing the administration of the Zoological gardens of Berlin (1841), Frankfurt (1856) and Hamburg (1863), which initiated also research for acclimatization of wild animals. (shrink)

Feeding Zoology. How Animals were Fed in Nineteenth‐Century Zoology. Although feeding is an essential and existential part of animal breeding and keeping, it is an entirely neglected practice in the history of (experimental) zoology. Following the metabolic relations of colonial consumerism, acclimatization, and animal fancying, this paper reconstructs the divers origins of this practice and thus the origin of experimental zoology. As feeding in this context was and still is considered to be essentially non‐epistemic, it is argued that this approach (...) allows to reconstruct the ontologies of the respective field, i.e., the emergence of artificial environments and of a contingent set of animals from a hybrid space between animal fancying and zoology. (shrink)

Even during its heyday, American behaviourist psychology was repeatedly criticized for the lack of diversity in its experimental subjects, with its almost exclusive focus on rats and pigeons. This paper revisits this debate by examining the rise and fall of a once promising alternative laboratory animal and model of intelligence, the raccoon. During the first two decades of the twentieth century, psychological investigations of the raccoon existed on the borderlands between laboratory experimentation, natural history and pet-keeping. Moreover, its chief advocate, (...) Lawrence W. Cole, inhabited the institutional and geographic borderlands of the discipline. This liminality ultimately worked against the raccoon's selection as a standardized model during the behaviourist era. The question of raccoon intelligence was also a prominent topic in the contemporaneous debates over the place of sentiment in popular nature writing. Although Cole and others argued that the raccoon provided unique opportunities to study mental attributes such as curiosity and attention, others accused the animal's advocates of sentimentalism, anthropomorphism and nature faking. The paper examines the making and unmaking of this hybrid scientific culture as the lives of experimenters and animals became entangled. (shrink)

ArgumentBiological drawings of newly described or revised species are expected to represent the type specimen with greatest possible accuracy. In taxonomic practice, illustrations assume the function of mobile representatives of relatively immobile specimens. In other words, such illustrations serve as “immutable mobiles” in the Latourian sense. However, the significance of drawing in the context of first descriptions goes far beyond that of illustration in the conventional sense. Not only does it synthesize the verbal catalogue of the type's morphological characteristics: it (...) also enables the examination of these traits. The efficacy of drawing is thus closely related to its power to direct and redirect observation; it is inextricably bound up with the act of making a drawing. Although the invariance of the “immutable mobiles” is a key virtue of the logistics of “paperwork,” the recovery of graphic knowledge requires a much stronger dynamic activity – a process of sequential processing that brings out differences by translating the phenomenon under examination into various modes of graphic representation. (shrink)

ArgumentFrom 1924 to 1948, developmental psychologist Arnold Gesell regularly used photographic and motion picture technologies to collect data on infant behavior. The film camera, he said, records behavior “in such coherent, authentic and measurable detail that... the reaction patterns of infant and child become almost as tangible as tissue.” This essay places his faith in the fidelity and tangibility of film, as well as his use of film as evidence, in the context of developmental psychology's professed need for legitimately scientific (...) observational techniques. It also examines his use of these same films as educational material to promote his brand of scientific child rearing. But his analytic techniques – his methods of extracting data from the film frames – are the key to understanding the complex relationship between his theories of development and his chosen research technology. (shrink)

ArgumentThe nineteenth century witnessed the advent of the modern zoo. Nearly everyone who came to watch the exotic animals was a “lay person” in the sense that virtually none had formal training in zoology. This paper provides a typology of these observers: the zoo directors, assistants, keepers, animal painters, and the “common” visitor. What did they observe and what were their motivations? Did they pursue a certain agenda? What kind of knowledge, if any, did they produce? Soon the issue of (...) the reliability of these observations emerged. Lay observers insisted on the veracity of their intimate and personal knowledge of animals while academics complained that their claims could not be generalized and were tainted by anthropomorphism. Hence the focus on the observations of these laymen will reveal contemporary assumptions on what may count as “scientific.” This is closely linked to the question of how far the zoo may qualify as a site of scientific investigation in the first place. The constraints on doing research on animals in a public space such as the zoo were numerous. Yet despite these obstacles the zoological garden contributed to the rise of ecological thinking as well as to the formation of ethology as a scientific discipline. (shrink)

Some scientists who study animals have emphasized the need to focus on the “point of view” of the animals they are studying. This methodological shift has led to animals being credited with much more agency than is warranted. However, as critics suggest, on the one hand, the “perspective” of another being rests mostly upon “sympathetic projection,” and may be difficult to apply to unfamiliar beings, such as bees or even flowers. On the other hand, the very notion of agency still (...) conveys its classic understanding as intentional, rational, and premeditated, and is still embedded in humanist and Christian conceptions of human exceptionalism. This paper seeks, in the first part, to investigate the practical link between these two notions and the problems they raise. In the second part, following the work of two historians of science who have revisited Darwin's studies of orchids and their pollinators, it will observe a shift in the meaning of the concept of agency. Indeed, creatures may appear as “secret agents” as long as we adopt a conventional definition of agency based on subjective experience and autonomous intention. However, when reframed in the terms of “agencement” — an assemblage that produces “agentivity” — agency seems to be much more extensively shared in the living world. We will then explore some of the concrete situations in which these agencements are manifested, and through which creatures of different species become, one for another and one with another, companion-agents. (shrink)

Berichte zur Wissenschaftsgeschichte, Volume 45, Issue 1-2, Page 112-134, June 2022.

Berichte zur Wissenschaftsgeschichte, Volume 45, Issue 1-2, Page 164-188, June 2022.