James Conant, a proponent of the ‘New American Wittgenstein’, has argued that the standard inter- pretation of Wittgenstein is wholly mistaken in respect of Wittgenstein’s critique of metaphysics and the attendant conception of nonsense. The standard interpretation, Conant holds, misascribes to Wittgenstein Carnapian views on the illegitimacy of metaphysical utterances, on logical syntax and grammar, and on the nature of nonsense. Against this account, I argue that (i) Carnap is misrepresented; (ii) the so-called standard interpretation (in so far as I (...) have contributed to it) is misrepresented; (iii) Wittgenstein’s views, early and late, are misrepresented. I clarify Wittgen- stein’s conception of logical syntax and of the nonsense that results from transgressing it. (shrink)

Ludwig Wittgenstein's 'Tractatus Logico-Philosophicus' is one of the most important books of the twentieth century. It influenced philosophers and artists alike and it continues to fascinate readers today. It offers rigorous arguments but clothes them in enigmatic pronouncements. Wittgenstein himself said that his book is 'strictly philosophical and simultaneously literary, and yet there is no blathering in it'. This introduction, first published in 2005, considers both the philosophical and the literary aspects of the 'Tractatus' and shows how they are related. (...) It also shows how the work fits into Wittgenstein's philosophical development and the tradition of analytic philosophy, arguing strongly for the vigour and significance of that tradition. (shrink)

Why worry about Wittgenstein’s Tractatus? Did not Wittgenstein himself come to think it was largely a mistaken work? Is not Wittgenstein’s important work his later work? And does not his later work consist in a rejection of his earlier views? So does not the interest of the Tractatus mostly lie in its capacity to furnish a particularly vivid exemplar of the sort of philosophy that the mature Wittgenstein was most concerned to reject? So is it not true that the only (...) real reason to worry about the Tractatus is to become clear about what sort of thing it was that the later Wittgenstein was most against in philosophy? Is the interest of the book therefore not largely exhausted by its capacity to show us what the later Wittgenstein did not think? Much of the secondary literature on Wittgenstein’s Tractatus, either implicitly or explicitly, answers these questions largely in the affirmative. The aim of this paper is to suggest that the manner in which it has done so has done much to obstruct the possibility of an understanding of Wittgenstein’s philosophy – both early and late. The aim is not to suggest that these questions should be answered instead in the negative, but rather to furnish a prolegomenon to the possibility of a proper understanding of what – and how much – ought to be affirmed in answering them in the affirmative. As the present volume makes evident, there is currently a debate underway about how to read (and how not to read) Wittgenstein’s Tractatus. This paper will not attempt a direct contribution to that debate,2 it will attempt instead to bring out some of what might be at stake in that debate. It is natural to think that all that ought to be at stake is a fairly parochial question concerning the proper interpretation of Wittgenstein’s work during a single, relatively early phase of his philosophical development. Thus it is natural to conclude that, whatever differences may divide the parties to this debate concerning how to read the Tractatus, nonetheless, au fond these interpreters of Wittgenstein may be in broad agreement about how to read most of the rest of Wittgenstein’s work – or, at least, whatever their disagreements may be about the early work, they are ones that can be independently adjudicated, without substantial cost to anyone’s prior.... (shrink)

This essay situates Wittgenstein's Tractatus and other writings of the Vienna Circle in the context of various political and artistic avant-garde movements of the early twentieth century. Despite the Circle's emphasis on logical analysis, its writings were drawn into the polemics that characterized avant-garde groups, in particular their reliance on manifestos. The essay uses the manifestos of the Vienna Circle as a lens through which to uncover the polemical and performative nature of central texts of logical positivism, including the Tractatus, (...) whose condensed, numbered, and pointed sentences echo central features of twentieth-century manifestos. (shrink)