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  1. The ethical criticism of art.Berys Gaut - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. New York: Cambridge University Press. pp. 182--203.
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  • Forbidden Knowledge: The Challenge of Immoralism.Matthew Kieran - 2002 - In José Luis Bermúdez & Sebastian Gardner (eds.), Art and Morality. New York: Routledge.
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  • The moral psychology of fiction.Gregory Currie - 1995 - Australasian Journal of Philosophy 73 (2):250 – 259.
    What can we learn from fiction? I argue that we can learn about the consequences of a certain course of action by projecting ourselves, in imagination, into the situation of the fiction's characters.
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  • Emotions, fiction, and cognitive architecture.Aaron Meskin & Jonathan M. Weinberg - 2003 - British Journal of Aesthetics 43 (1):18-34.
    Recent theorists suggest that our capacity to respond affectively to fictions depends on our ability to engage in simulation: either simulating a character in the fiction, or simulating someone reading or watching the fiction as though it were fact. We argue that such accounts are quite successful at accounting for many of the basic explananda of our affective engagements in fiction. Nonetheless, we argue further that simulationist accounts ultimately fail, for simulation involves an ineliminably ego-centred element that is atypical of (...)
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