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  1. Carnal knowledge: towards a 'new materialism' through the arts.Estelle Barrett & Barbara Bolt (eds.) - 2013 - New York: I.B. Tauris.
    Carnal Knowledge is an outcome of the renewed energy and interest in moving beyond the discursive construction of reality to understand the relationship between what is conceived of as reality and materiality, described as the "material turn." It draws together established and emerging writers, whose research spans dance, music, film, fashion, design, photography, literature, painting and stereo-immersive VR, to demonstrate how art allows us to map the complex relations between nature and culture, between the body, language and knowledge. These writings (...)
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  • Desiring the Kingdom: Worship, Worldview, and Cultural Formation.James K. A. Smith - 2009
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  • Cognitive Disability and its Challenge to Moral Philosophy.Eva Feder Kittay & Licia Carlson (eds.) - 2010 - Wiley-Blackwell.
    Through a series of essays contributed by clinicians, medical historians, and prominent moral philosophers, Cognitive Disability and Its Challenge to Moral ...
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  • The primacy of movement : variation, intermediality and biopolitics in Tero Saarinen's Hunt.Milla Tiainen & Jussi Parikka - 2013 - In Estelle Barrett & Barbara Bolt (eds.), Carnal knowledge: towards a 'new materialism' through the arts. New York: I.B. Tauris.
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  • Ethos Formula: Liturgy and Rhetorics in the Work of Ted Shawn.Alexander Schwan - 2017 - Performance Philosophy 3 (1):23-39.
    Beginning with Giorgio Agamben’s alignment of ethics and potentiality, this essay questions the ethical dimension of gesture in the field of dance as an eminently potentiality-bound art form. This draws on Daniel Sibony’s concept of law and dance, according to which the body simultaneously repels and longs for the law as a nexus of heteronomous structures. I frame this through a revision of Aby Warburg’s rhetorical concept, pathos formula, into the corollary term, ethos formula, as the encoded movement patterns of (...)
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