Models of nature have usually referred to ecological, or more generally, scientific understandings, and have seldom included cultural factors. Recently, however, there has been a trend toward defining nature as a “social construction,” that is, as an artifact of human social and linguistic capability. I argue that constructionism attempts to assimilate nature to an exclusively anthropocentric “reality,” and that it should be seen as expressing long-term industrialist tendencies to separate the “human” and the “natural” realms and to assimilate the latter (...) to the former. Consequently, the constructionist approach, rather than offering us a fertile means of incorporating cultural influences within environmental theorizing, is better viewed as a cognitive counterpart to industrialism’s physical assimilation of the natural world. (shrink)

In _Vibrant Matter_ the political theorist Jane Bennett, renowned for her work on nature, ethics, and affect, shifts her focus from the human experience of things to things themselves. Bennett argues that political theory needs to do a better job of recognizing the active participation of nonhuman forces in events. Toward that end, she theorizes a “vital materiality” that runs through and across bodies, both human and nonhuman. Bennett explores how political analyses of public events might change were we to (...) acknowledge that agency always emerges as the_ _effect of ad hoc configurations of human and nonhuman forces. She suggests that recognizing that agency is distributed this way, and is not solely the province of humans, might spur the cultivation of a more responsible, ecologically sound politics: a politics less devoted to blaming and condemning individuals than to discerning the web of forces affecting situations and events. Bennett examines the political and theoretical implications of vital materialism through extended discussions of commonplace things and physical phenomena including stem cells, fish oils, electricity, metal, and trash. She reflects on the vital power of material formations such as landfills, which generate lively streams of chemicals, and omega-3 fatty acids, which can transform brain chemistry and mood. Along the way, she engages with the concepts and claims of Spinoza, Nietzsche, Thoreau, Darwin, Adorno, and Deleuze, disclosing a long history of thinking about vibrant matter in Western philosophy, including attempts by Kant, Bergson, and the embryologist Hans Driesch to name the “vital force” inherent in material forms. Bennett concludes by sketching the contours of a “green materialist” ecophilosophy. (shrink)

Models of nature have usually referred to ecological, or more generally, scientific understandings, and have seldom included cultural factors. Recently, however, there has been a trend toward defining nature as a “social construction,” that is, as an artifact of human social and linguistic capability. I argue that constructionism attempts to assimilate nature to an exclusively anthropocentric “reality,” and that it should be seen as expressing long-term industrialist tendencies to separate the “human” and the “natural” realms and to assimilate the latter (...) to the former. Consequently, the constructionist approach, rather than offering us a fertile means of incorporating cultural influences within environmental theorizing, is better viewed as a cognitive counterpart to industrialism’s physical assimilation of the natural world. (shrink)

"... thought-provoking and meditative, Lingis’s work is above all touching, and offers a refreshingly idiosyncratic antidote to the idle talk that so often passes for philosophical writing." —Radical Philosophy "... striking for the ...

... ISBN0199215928 ... -/- Abstract: Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science traditionally has focused on a visual model. This book presents a systematic treatment of sounds and auditory experience. It demonstrates how thinking about audition and appreciating the relationships among multiple sense modalities enriches our understanding of perception. It articulates the central questions that comprise the philosophy of sound, and proposes a novel theory of sounds and their perception. Against the widely accepted philosophical (...) view that sounds are among the secondary or sensible qualities, and against the scientific view that sounds are waves that propagate through a medium such as air or water, the book argues that sounds are events in which objects or interacting bodies disturb a surrounding medium. This does not imply that sounds propagate through a medium, such as air or water. Rather, sounds are events that take place in one's environment at or near their sources. This account captures the way in which sounds essentially are creatures of time and situates sounds in the world. Sounds are not ethereal, mysterious entities. It also provides a powerful account of echoes, interference, reverberation, Doppler effects, and perceptual constancies that surpasses the explanatory richness of alternative theories. Investigating sounds and audition demonstrates that considering other sense modalities teaches what we could not otherwise learn from thinking exclusively about the visual. This book concludes by arguing that a surprising class of cross-modal perceptual illusions demonstrates that the perceptual modalities cannot be completely understood in isolation, and that a visuocentric model for theorizing about perception — according to which perceptual modalities are discrete modes of experience and autonomous domains of philosophical and scientific inquiry — ought to be abandoned. -/- . (shrink)