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  1. (1 other version)Music and emotion: perceptual determinants, immediacy, and isolation after brain damage.I. Peretz - 1998 - Cognition 68 (2):111-141.
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  • Pleasure, displeasure, and mixed feelings: Are semantic opposites mutually exclusive?Ulrich Schimmack - 2001 - Cognition and Emotion 15 (1):81-97.
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  • That's disgusting!…, but very amusing: Mixed feelings of amusement and disgust.Scott H. Hemenover & Ulrich Schimmack - 2007 - Cognition and Emotion 21 (5):1102-1113.
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  • Speed as a determiner of musical mood.M. G. Rigg - 1940 - Journal of Experimental Psychology 27 (5):566.
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  • Response latencies of pleasure and displeasure ratings: Further evidence for mixed feelings.Ulrich Schimmack - 2005 - Cognition and Emotion 19 (5):671-691.
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  • On oatley and johnson-laird's theory of emotion and hierarchical structures in the affective lexicon.Rainer Reisenzein - 1995 - Cognition and Emotion 9 (4):383-416.
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  • Mode and tempo relative contributions to “happy-sad” judgements in equitone melodies.Lise Gagnon & Isabelle Peretz - 2003 - Cognition and Emotion 17 (1):25-40.
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  • An experiment to determine how accurately college students can interpret the intended meanings of musical compositions.M. Rigg - 1937 - Journal of Experimental Psychology 21 (2):223.
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  • Mixed affective responses to music with conflicting cues.Patrick G. Hunter, E. Glenn Schellenberg & Ulrich Schimmack - 2008 - Cognition and Emotion 22 (2):327-352.
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  • (4 other versions)Grundriss der Psychologie.W. Wundt - 1896 - Philosophical Review 5:331.
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  • A developmental study of the affective value of tempo and mode in music.Simone Dalla Bella, Isabelle Peretz, Luc Rousseau & Nathalie Gosselin - 2001 - Cognition 80 (3):B1-B10.
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