Despite recent work on scientific instruments by historians of science, the meeting ground between historians and curators of collections has been disappointingly narrow. This study offers, first, a characterization of sixteenth-century mathematical instruments, drawing on the work of curators, as represented by the online database Epact. An examination of the relationship between these instruments and the natural world suggests that the ‘theoric’, familiar from studies of the history of astronomy, has a wider relevance to the domain of practical mathematics. This (...) outcome from a study of collections is then used in re-examining an established question in the history of science, the position of William Gilbert on the motion of the Earth. (shrink)

In the 1940s and 1950s, British and American journals published a flood of papers by doctors, pathologists, geneticists and anthropologists debating the virtues of two competing nomenclatures used to denote the Rhesus blood groups. Accounts of this prolonged and often bitter episode have tended to focus on the main protagonists' personalities and theoretical commitments. Here I take a different approach and use the literature generated by the dispute to recover the practical and epistemic functions of nomenclatures in genetics. Drawing on (...) recent work that views inscriptions as part of the material culture of science, I use the Rhesus controversy to think about the ways in which geneticists visualized and negotiated their objects of research, and how they communicated and collaborated with workers in other settings. Extending recent studies of relations between different media, I consider the material forms of nomenclatures, as they were jotted in notebooks, printed in journals, scribbled on blackboards and spoken out loud. The competing Rhesus nomenclatures had different virtues as they were expressed in different media and made to embody commitments to laboratory practices. In exploring the varied practical and epistemic qualities of nomenclatures I also suggest a new understanding of the Rhesus controversy itself. (shrink)

This essay follows recent work in environmental history to explore the history of recycling in physical sciences in Britain and North America since the seventeenth century. The term ‘recycling’ is here used broadly to refer to a variety of practices that extended the life of material resources for doing science in the early modern period. These included practices associated with maintenance, repair, exchange and the adaptation or reuse of material culture. The essay argues that such practices were common in early (...) modern science, and informed experimental spaces and techniques and the ideas that they generated. The essay considers some of the varied motivations that led to such practices, and concludes by examining the endurance of recycling in science since the end of the eighteenth century, particularly in recent efforts to create sustainable scientific research practices. (shrink)

Like the constructivist approach to the history of science, the new history of reading has shifted attention from disembodied ideas to the underlying material culture and the localized practices by which it is apprehended. By focusing on the complex embodied processes by which readers make sense of printed objects, historians of reading have provided new insights into the manner in which meaning is both made and contested. In this brief account I argue that these insights are particularly relevant to historians (...) of science, first, because practices of reading, like those of experiment and fieldwork, are constitutive of scientific knowledge, and, second, because attention to the history of reading provides important evidence of the multifaceted and uneven contest for meaning that occurs when science is mobilized in popular culture. The essay concludes by considering some of the surprisingly abundant sources of available evidence from which a history of scientific reading might be constructed for the modern era. (shrink)

What big questions and large‐scale narratives give coherence to the history of science? From the late 1970s onward, the field has been transformed through a stress on practice and fresh perspectives from gender studies, the sociology of knowledge, and work on a greatly expanded range of practitioners and cultures. Yet these developments, although long overdue and clearly beneficial, have been accompanied by fragmentation and loss of direction. This essay suggests that the narrative frameworks used by historians of science need to (...) come to terms with diversity by understanding science as a form of communication. The centrality of processes of movement, translation, and transmission is already emerging in studies of topics ranging from ethnographic encounters to the history of reading. Not only does this approach offer opportunities for crossing boundaries of nation, period, and discipline that are all too easily taken for granted; it also has the potential for creating a more effective dialogue with other historians and the wider public. (shrink)

The epistolary exchanges of early modern natural history have long been of interest to historians of science, as they reflect the dynamic nature of the emergent discipline better than the printed volumes of natural history. Less attention, at least until recently, has been paid to the unfinished pieces, the cryptic marginalia, and the practical notes that more often than not accompanied letters. Lists of specimens sent or requested were among the new tools at the naturalist's disposal for dealing with a (...) scientific world increasingly populated by objects. This essay seeks to reconstruct the genealogy of specimen lists by focusing on little-known apothecaries in northern Italy: the individuals traditionally held to be social counterparts to these modest strings of words. It seems that the operations at the back of the shop and the literature generated by the centuries-old drug and spice trades may have been a more defining influence on early modern naturalists than the humanist practices of indexing and commonplacing that were concurrently embraced by Italian studiosi. (shrink)

The measure of what can be considered “new” is what is already known. What is “new” – be it a (technical) invention, a new method, or a newly discovered natural phenomenon – must distinguish itself...

The paper studies various functions of Berzelian formulas in European organic chemistry prior to the mid-nineteenth century from a semiotic, historical and epistemological perspective. I argue that chemists applied Berzelian formulas as productive ‘paper tools’ for creating a chemical order in the ‘jungle’ of organic chemistry. Beginning in the late 1820s, chemists applied chemical formulas to build models of the binary constitution of organic compounds in analogy to inorganic compounds. Based on these formula models, they constructed new classifications of organic (...) substances. They further applied Berzelian formulas in a twofold way to experimentally investigate organic chemical reactions: as tools which supplemented laboratory tools and as tools for constructing interpretive models of organic reactions. The scrutiny of chemists' performances with chemical formulas on paper also reveals a dialectic which contributed considerably to the formation of the new experimental culture of synthetic carbon chemistry that emerged between the late 1820s and the early 1840s. In an unintended and unforeseen way, the tools reacted back on the goals of their users and contributed to conceptual development and a shift of scientific objects and practices which transcended the originally intended chemical order. (shrink)

ArgumentDrawing and writing number among the most widespread scientific practices of representation. Neither photography, graphic recording apparatuses, typewriters, nor digital word- and image-processing ever completely replaced drawing and writing by hand. The interaction of hand, paper, and pen indeed involves much more than simply recording or visualizing what was previously thought, observed, or imagined. Both writing and drawing have the power to translate concepts and observations into two-dimensional, manageable, reproducible objects. They help to develop research questions and they open up (...) an interaction between the gathering of phenomena and the formation of theses. Related to the manifold studies of representational activities in the sciences and the humanities, this topical issue tries to refine our understanding of the capacities of drawing and writing as research techniques; i.e. as productive epistemic practices. In particular the contributions address three aspects: the material conditions and configurations of the “scene of drawing and writing,” the involved procedures of production, and the languages of inscription. (shrink)

Until the first quarter of the seventeenth century there was a great deal of agreement about the nature of mathematical practice. Mathematicians, as well as their patrons and clients, viewed all possible aspects of their work, both theoretical and practical, as being included within their discipline. Although the mathematical sciences were a fairly recent foreign import to England, which can barely be traced back beyond the mid-sixteenth century, by the beginning of the seventeenth century there was a large and growing (...) body of practitioners with a unified view of their subject's identity. Divisions began to appear, however, and they were often framed in terms of the proper mixture of theory and practice in mathematical education.One early sign of the emergence of this tension is the kind of accusation made in the priority dispute between William Oughtred and Richard Delamain taking place around 1632. Their bitter conflict began over who first invented the Horizontal Quadrant, a form of sundial, and the Circles of Proportion, a logarithmic calculating device that can be considered a precursor of the slide rule, and ended in a dispute over what constituted proper mathematical practice. Oughtred accused Delamain of making his students ‘only doers of tricks, and as it were Juglers’ by teaching them the use of instruments without any theoretical foundation. Instruments, Oughtred claimed, could only be used with understanding by students who had a proper theoretical foundation. He advocated postponing their use until after the theoretical foundations of a subject had been thoroughly mastered. Delamain, on the other hand, was perfectly willing to teach practical instrumental operations without insisting upon a theoretical grounding. This paper will use the dispute between Oughtred and Delamain to investigate the breakdown of consensus over internal mathematical boundaries, the rhetoric and strategies involved in attempts to gain authority by mathematical practitioners, and the extent to which their roles were negotiated, both with other practitioners, and with their patrons and students. (shrink)

Because reading was and remains a central aspect of doing science, reading practices may provide insights into cognitive practices—such as observation, economies of attention, arts of memory, and the solidification and erosion of belief—in the context of science. Reading has since ancient times been the model for all forms of understanding and possibly also the template upon which other ways of making the world intelligible were formed. Reading practices may also provide keys to the formation of the specifically scientific self, (...) as they have more generally for that of the learned habitus. Finally, collectivities of readers served as the prototype of all such virtual communities of savants, including the scientific community. (shrink)

ABSTRACT Throughout the early modern period, the most widely read astronomical textbooks were Johannes de Sacrobosco's De sphaera and the Theorica planetarum, ultimately in the new form introduced by Georg Peurbach. This essay argues that the images in these texts were intended to develop an “intelligent eye.” Students were trained to transform representations of specific heavenly phenomena into moving mental images of the structure of the cosmos. Only by learning the techniques of mental visualization and manipulation could the student “see” (...) in the mind's eye the structure and motions of the cosmos. While anyone could look up at the heavens, only those who had acquired the intelligent eye could comprehend the divinely created order of the universe. Further, the essay demonstrates that the visual program of the Sphaera and Theorica texts played a significant and hitherto unrecognized role in later scientific work. Copernicus, Galileo, and Kepler all utilized the same types of images in their own texts to explicate their ideas about the cosmos. (shrink)