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One of the ways in which a poet may show his quality is by discrimination and originality in his choice of adjectives. Poetry likes to adorn the bare noun; a noun such as ‘the sky’ calls out for an attribute. But in practice the poet has to take care to avoid the cliche. He can seldom write ‘the blue sky’; even ‘the azure sky’ has become trite. He has to search for the epithet which will be both apt and original. |
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In his discussion of the tragic act in Poet. 14. 1453b15 ff. Aristotle separates the pity which we feel at mere suffering from pity roused by the way in which this suffering is or will be brought about. The revenge of an enemy is not in itself pitiable. We pity, if victim and agent are closely related to one another as members of the same family, but only if the action is of a certain kind. Four possible ways of presenting (...) |
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Until 1923 most critics were content to interpret as ‘a reversal o fortune’. Then, in ‘The Reverse of Aristotle’ , Mr. F. L. Lucas argued persuasively for Vahlen's interpretation of the term as ‘a reversa of intention’, ‘any event where the agent's intention is over-ruled to produce an effect the exact opposite of his intention’. The result has been wide acceptanct for Vahlen's theory. This may be a case of truth prevailing after two thousanc years of error, but it looks (...) |
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THE object of this note is to draw attention to a suggestion made by the late Professor F. M. Cornford, in the course of a paper read to the Oxford Philological Society some years ago. |
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In an article based on an unpublished paper by Professor Cornford, Mr. I. M. Glanville returned to the suggestion that the words S0009838800011605_inline1 at the beginning of Chapter 11 of the Poetics , which are part of the definition of peripeteia, refer back to the phrase S0009838800011605_inline2 S0009838800011605_inline3 , thereby raising the question whose expectation it is to which events turn out contrary, that of the audience or of the characters in the play. |
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In an article based on an unpublished paper by Professor Cornford, Mr. I. M. Glanville returned to the suggestion that the words S0009838800011605_inline1 at the beginning of Chapter 11 of the Poetics, which are part of the definition of peripeteia, refer back to the phrase S0009838800011605_inline2 S0009838800011605_inline3, thereby raising the question whose expectation it is to which events turn out contrary, that of the audience or of the characters in the play. |
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