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  1. On the Origin of Objects.Brian Cantwell Smith - 1996 - Cambridge: Mass. : MIT Press.
    On the Origin of Objects is the culmination of Brian Cantwell Smith's decade-long investigation into the philosophical and metaphysical foundations of computation, artificial intelligence, and cognitive science. Based on a sustained critique of the formal tradition that underlies the reigning views, he presents an argument for an embedded, participatory, "irreductionist," metaphysical alternative. Smith seeks nothing less than to revise our understanding not only of the machines we build but also of the world with which they interact. Smith's ambitious project begins (...)
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  • After Finitude: An Essay on the Necessity of Contingency.Quentin Meillassoux - 2008 - New York: Continuum.
    Now available for the first time in paperback, the remarkable debut of a former student of Alain Badiou.
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  • The Poverty of Philosophy: Realism and Post-Fordism.Alexander Galloway - 2013 - Critical Inquiry 39 (2):347-366.
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  • Meeting the universe halfway: quantum physics and the entanglement of matter and meaning.Karen Michelle Barad - 2007 - Durham: Duke University Press.
    A theoretical physicist and feminist theorist, Karen Barad elaborates her theory of agential realism, a schema that is at once a new epistemology, ontology, and ethics.
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  • On the Undermining of Objects: Grant, Bruno, and Radical Philosophy.Graham Harman - 2011 - In Levi R. Bryant, Nick Srnicek & Graham Harman (eds.), The Speculative Turn: Continental Materialism and Realism. re.press.
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  • A New Kind of Science.Stephen Wolfram - 2002 - Bulletin of Symbolic Logic 10 (1):112-114.
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  • A New Kind of Science.Stephen Wolfram - 2002 - Wolfram Media.
    NOW IN PAPERBACK"€"Starting from a collection of simple computer experiments"€"illustrated in the book by striking computer graphics"€"Stephen Wolfram shows how their unexpected results force a whole new way of looking at the operation of our universe.
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  • The Poverty of Philosophy: Realism and Post-Fordism.Alexander R. Galloway - 2013 - Critical Inquiry 39 (2):347-366.
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  • Object-oriented ontology, or programming's creative fold.Aden Evens - 2006 - Angelaki 11 (1):89 – 97.
    This article asks what is creative about the act of programming. Observing that in most programming contexts, each line of code is written with a specific end in mind, it would seem as though there is little room for creativity, as the ends constrain the choices of means. However, there are many features of coding languages that open up creative possibilities. Object-oriented coding environments purport to make programming more about structures that humans might work with and less about features of (...)
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