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  1. Emotion and affect in mental imagery: do fear and anxiety manipulate mental rotation performance?Sandra Kaltner & Petra Jansen - 2014 - Frontiers in Psychology 5.
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  • Explicit and implicit emotion regulation: A dual-process framework.Anett Gyurak, James J. Gross & Amit Etkin - 2011 - Cognition and Emotion 25 (3):400-412.
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  • The two forms of visuo-spatial perspective taking are differently embodied and subserve different spatial prepositions.Klaus Kessler - 2010 - Frontiers in Psychology 1.
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  • Affective Priming by Simple Geometric Shapes: Evidence from Event-related Brain Potentials.Yinan Wang & Qin Zhang - 2016 - Frontiers in Psychology 7:175410.
    Previous work has demonstrated that simple geometric shapes may convey emotional meaning using various experimental paradigms. However, whether affective meaning of simple geometric shapes can be automatically activated and influence the evaluations of subsequent stimulus is still unclear. Thus the present study employed an affective priming paradigm to investigate whether and how two geometric shapes (circle vs. downward triangle) impact on the affective processing of subsequently presented faces (Experiment 1) and words (Experiment 2). At behavioral level, no significant effect of (...)
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  • On the automatic activation of associated evaluations: An overview.Russell H. Fazio - 2001 - Cognition and Emotion 15 (2):115-141.
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  • Is there a “special relationship” between unconscious emotions and visual imagery? Evidence from a mental rotation test.Nicola Mammarella - 2011 - Consciousness and Cognition 20 (2):444-448.
    There is an increasing interest in the relationship between imagery and emotion . The present research examined whether unconscious emotions affect visual imagery. In particular, participants were invited to perform a mental rotation test following subliminal presentation of happy, sad and neutral expressions. This study revealed an increase in mental rotation abilities after unconscious visual processing of emotional expressions. Altogether, these findings support the hypothesis of a bidirectional relationship between imagery and emotions.
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