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  1. The Oxford handbook of aesthetics.Jerrold Levinson (ed.) - 2003 - New York: Oxford University Press.
    The Oxford Handbook of Aesthetics brings the authority, liveliness, and multi-disciplinary scope of the Handbook series to a fascinating theme in philosophy and the arts. Jerrold Levinson has assembled a hugely impressive range of talent to contribute 48 brand-new essays, making this the most comprehensive guide available to the theory, application, history, and future of the field. This Handbook will be invaluable to academics and students across philosophy and all branches of the arts, both as the reference work of choice (...)
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  • The Oxford Handbook of Aesthetics.Jerrold Levinson - 2003 - Tijdschrift Voor Filosofie 65 (3):582-583.
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  • apresentação.Rogério Lopes - 2013 - Kriterion: Journal of Philosophy 54 (128):281-285.
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  • Some problems in the theory of comedy.Robert D. Hume - 1972 - Journal of Aesthetics and Art Criticism 31 (1):87-100.
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  • Of contrast between tragedy and comedy.Rudd Fleming - 1939 - Journal of Philosophy 36 (20):543-553.
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  • (2 other versions)Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.NoË Carroll & L. - 2007 - Wiley-Blackwell.
    In Comedy Incarnate, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.
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