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  1. Epistemic Injustice.Rachel McKinnon - 2016 - Philosophy Compass 11 (8):437-446.
    There's been a great deal of interest in epistemology regarding what it takes for a hearer to come to know on the basis of a speaker's say-so. That is, there's been much work on the epistemology of testimony. However, what about when hearers don't believe speakers when they should? In other words, what are we to make of when testimony goes wrong? A recent topic of interest in epistemology and feminist philosophy is how we sometimes fail to believe speakers due (...)
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  • Xunzi: The Complete Text.H. G. Xunzi - 2014 - Princeton: Princeton University Press. Edited by Eric L. Hutton.
    This is the first complete, one-volume English translation of the ancient Chinese text Xunzi, one of the most extensive, sophisticated, and elegant works in the tradition of Confucian thought. Through essays, poetry, dialogues, and anecdotes, the Xunzi articulates a Confucian perspective on ethics, politics, warfare, language, psychology, human nature, ritual, and music, among other topics. Aimed at general readers and students of Chinese thought, Eric Hutton’s translation makes the full text of this important work more accessible in English than ever (...)
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  • Finding Your Voice in the Streets: Street Art and Epistemic Injustice.Sandra Bacharach - 2018 - The Monist 101 (1):31-43.
    I argue that activists have co-opted street art as a tool for addressing epistemic injustices, injustices that result from negative identity prejudices that silence certain groups of people unfairly. To defend this claim, I explore the special nature of street art that makes it an especially appropriate tool for activists to enlist in the fight against epistemic injustices. From there, I will examine in detail two case studies which illustrate how street art is used to respond to and correct for (...)
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  • The dancing ru: A confucian aesthetics of virtue.Nicholas F. Gier - 2001 - Philosophy East and West 51 (2):280-305.
    The most constructive response to the crisis in moral theory has been the revival of virtue ethics, which has the advantages of being personal, contextual, and, as will be argued, normative as well. It is also proposed that the best way to refound virtue ethics is to return to the Greek concept of technē tou biou, literally "craft of life." The ancients did not distinguish between craft and fine art, and the meaning of technē, even in its Latin form, ars, (...)
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  • On the Ancient Idea that Music Shapes Character.James Harold - 2016 - Dao: A Journal of Comparative Philosophy 15 (3):341-354.
    Ancient Chinese and Greek thinkers alike were preoccupied with the moral value of music; they distinguished between good and bad music by looking at the music’s effect on moral character. The idea can be understood in terms of two closely related questions. Does music have the power to affect the ethical character of either listener or performer? If it does, is it better as music for doing so? I argue that an affirmative answers to both questions are more plausible than (...)
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  • Li as process of humanization.Wei-Ming Tu - 1972 - Philosophy East and West 22 (2):187-201.
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  • Reimer through Confucian Lenses: Resonances with Classical Chinese Aesthetics.Leonard Tan - 2015 - Philosophy of Music Education Review 23 (2):183.
    In this paper, I compare all three editions of Bennett Reimer’s A Philosophy of Music Education with early Chinese philosophy, in particular, classical Chinese aesthetics. I structure my analysis around a quartet of interrelated themes: aesthetic education, education of feeling, aesthetic experience, and ethics and aesthetics. This paper suggests that Reimer’s philosophical writings have some degree of transcultural applicability beyond Western thought, counterpointing criticisms that his philosophy is narrow, ethnocentric, and culturally limited. It also serves as a plausible point of (...)
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  • The social value of ritual and music in classical chinese thought.James Garrison - 2012 - Teorema: International Journal of Philosophy 31 (3):209-222.
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  • Musical art in early confucian philosophy.Siu-Chi Huang - 1963 - Philosophy East and West 13 (1):49-60.
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