One of the most influential research and teaching programs to emerge in the new science of ecology in the early twentieth century was that which developed at the University of Chicago under the direction of botanist Henry Chandler Cowles. Not a prolific writer, Cowles was nevertheless author of two of the seminal papers in American plant ecology. On the basis of those early contributions, as well as his considerable abilities as field guide, he was able to draw numerous students into (...) Chicago’s new plant ecology program for both introductory and advanced work. No small part of the attraction of the program was Cowles’s ability to interpret successional changes in vegetation in terms that fitted in well with the forward-looking, reform-minded mood of the educated elite of the nation and the city of Chicago during the early decades of the century. Cowles’s favorite outdoor laboratory, the region of sand dunes along the Indiana shore of Lake Michigan, provided the ideal setting for his vivid telling and retelling of the story of the struggles and transformations of plant communities toward the establishment of the inevitable climax community. Both this dramatic tale of progressive change and the unusual diversity of species and communities at the dunes reflected qualities of Chicago itself, and Cowles interpreted these ecological phenomena in a manner that bore a striking resemblance to the frontier hypothesis of Frederick Jackson Turner. (shrink)

What sort of activities took place in the academic laboratories developed for teaching the natural sciences in Britain between the 1860s and 1880s? What kind of social and instrumental regimes were implemented to make them meaningful and efficient venues of experimental instruction? As humanly constructed sites of experiment how were the metropolitan institutional contexts of these laboratories engineered to make them legitimate places to study ‘Nature’? Previous studies have documented chemists' effective use of regimented quantitative analysis in their laboratory teaching (...) from the 1820s, but less is known about how Victorian academics made other sorts of laboratories unproblematic pedagogical spaces. This paper will examine the literary, disciplinary and instrumental technologies of microscopy deployed by T. H. Huxley at his South Kensington laboratory during the early 1870s to render his biology teaching legitimate, meaningful and efficient. As such it is a response to Pickstone's recent call for a broader account of microscopy teaching in late nineteenth-century academic life science, and one localized answer to Bennett's enquiries as to what the appearance of a microscope in laboratories and other domestic settings betokened to historical actors, and how such tokens changed over time. (shrink)