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  1. The Responsibility of Forms: Critical Essays on Music, Art, and Representation.Roland Barthes - 1991 - University of California Press.
    These late essays of Roland Barthes's are concerned with the visible and the audible, and here the preoccupations are particularly intense and rewarding, in part because Barthes was himself, by predilection, an artist and a musician, and in part because he was of two minds about the very possibility of attaching to art and to music a written text, a criticism.
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  • Prisms.Theodor W. Adorno (ed.) - 1981 - MIT Press.
    The eminent critic and scholar analyzes a wide range of topics, including Aldous Huxley's Brave New World, jazz, the music of Bach, and museums.
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  • Essays in aesthetics.Gérard Genette - 2005 - Lincoln: University of Nebraska Press.
    Over the course of the past forty years, Ge;rard Genette’s work has profoundly influenced scholars of narratology, poetics, aesthetics, and literary and cultural criticism, and he continues to be one of France’s most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic problems (the receiver’s relationship to an aesthetic object, abstract art, the role of repetition in aesthetics, genre theory, and the rapport between literature and music) or with (...)
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