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  1. Margaret Cavendish's Epistemology.Kourken Michaelian - 2009 - British Journal for the History of Philosophy 17 (1):31 – 53.
    This paper provides a systematic reconstruction of Cavendish's general epistemology and a characterization of the fundamental role of that theory in her natural philosophy. After reviewing the outlines of her natural philosophy, I describe her treatment of 'exterior knowledge', i.e. of perception in general and of sense perception in particular. I then describe her treatment of 'interior knowledge', i.e. of self-knowledge and 'conception'. I conclude by drawing out some implications of this reconstruction for our developing understanding of Cavendish's natural philosophy.
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  • Graphic Understanding: Instruments and Interpretation in Robert Hooke's Micrographia.Michael Aaron Dennis - 1989 - Science in Context 3 (2):309-364.
    The ArugmentThis essay answers a single question: what was Robert Hooke, the Royal Society's curator of experiments, doing in his well-known 1665 work,Micrographia?Hooke was articulating a “universal cure of the mind” capable of bringing about a “reformation in Philosophy,” a change in philosophy's interpretive practices and organization. The work explicated the interpretive and political foundations for a community of optical instrument users coextensive with the struggling Royal Society. Standard observational practices would overcome the problem of using nonstandard instruments, while inherent (...)
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  • Atomism, Lynceus, and the Fate of Seventeenth-Century Microscopy.C. H. Lüthy - 1996 - Early Science and Medicine 1 (1):1-27.
    Recent scholarship, focusing on the rapid decline of microscopy after the late 1680's, has shown that the limitations of microscopy and the ambivalent meaning of its findings led to a wide-spread sense of frustration with the new instrument. The present article tries to connect this fall from favor with the microscope's equally surprising but hitherto little noticed late rise to prominence. The crucial point is that when the microscope, more than a decade after the telescope, finally managed to arouse the (...)
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  • Dr. Henry Power's Poem on the Microscope.Thomas Cowles - 1934 - Isis 21 (1):71-80.
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