In discussions on the ethics of surveillanceand consequently surveillance policy, thepublic/private distinction is often implicitlyor explicitly invoked as a way to structure thediscussion and the arguments. In thesediscussions, the distinction public and private is often treated as a uni-dimensional,rigidly dichotomous and absolute, fixed anduniversal concept, whose meaning could bedetermined by the objective content of thebehavior. Nevertheless, if we take a closerlook at the distinction in diverse empiricalcontexts we find them to be more subtle,diffused and ambiguous than suggested. Thus,the paper argues (...) for the treatment of thesedistinctions as multi-dimensional, continuousand relative, fluid and situational orcontextual, whose meaning lies in how they areinterpreted and framed. However, the aim ofthis paper is not to finally sort things out. The objective is rather to demonstrate thecomplexities of the distinction in variouscontexts and to suggest that those using thedistinction, when considering the ethics andpolitics of surveillance technologies, wouldbenefit from more clearly specifying whichdimensions they have in mind and how theyrelate. (shrink)

Snapshot Versions of Life is an important foray into the culture of photography and home life from an anthropologist's perspective. Examining what he calls "Home Mode" photography, Richard Chalfen explores snapshots, slide shows, family albums, home movies, and home videos, uncovering what people do with their photos as well as what their personal photos do for them. Chalfen's "Polaroid People" are recognizable--if ironically viewed--relatives, uncles, aunts, and All-American kids. As members of "Kodak Culture" they watch home movies, take pictures of (...) newborn babies, and even, in their darker moments, scratch out the faces of disliked relatives in group photographs. He examines who shoots these photos and why, as well as how they think of planning, editing, and exhibiting their shots. Chalfen's analysis reveals the culturally structured behavior underlying seemingly spontaneous photographic activities. (shrink)