Along with Husserl's Ideas and Heidegger's Being and Time, Being Given is one of the classic works of phenomenology in the twentieth century. Through readings of Kant, Husserl, Heidegger, Derrida, and twentieth-century French phenomenology (e.g., Merleau-Ponty, Levinas, and Henry), it ventures a bold and decisive reappraisal of phenomenology and its possibilities. Its author's most original work to date, the book pushes phenomenology to its limits in an attempt to redefine and recover the phenomenological ideal, which the author argues has never (...) been realized in any of the historical phenomenologies. Against Husserl's reduction to consciousness and Heidegger's reduction to Dasein, the author proposes a third reduction to givenness, wherein phenomena appear unconditionally and show themselves from themselves at their own initiative. Being Given is the clearest, most systematic response to questions that have occupied its author for the better part of two decades. The book articulates a powerful set of concepts that should provoke new research in philosophy, religion, and art, as well as at the intersection of these disciplines. Some of the significant issues it treats include the phenomenological definition of the phenomenon, the redefinition of the gift in terms not of economy but of givenness, the nature of saturated phenomena, and the question “Who comes after the subject?” Throughout his consideration of these issues, the author carefully notes their significance for the increasingly popular fields of religious studies and philosophy of religion. Being Given is therefore indispensable reading for anyone interested in the question of the relation between the phenomenological and the theological in Marion and emergent French phenomenology. (shrink)

This article offers a reading of Sartre's phenomenological ontology in light of the pre-modern understanding of ‘transcendentals’ as universal properties and predicates of all determinate beings. Drawing on Sartre's transcendental account of nothingness in his early critique of Husserl as well as his discussion of ‘determination as negation’ in Being and Nothingness, this article argues that Sartre's universal predicate of ‘the not’ (le non) could be understood in a similar light to the medieval scholastic conception of transcendentals. But whereas the (...) scholastics saw the transcendental properties of oneness, truth, and goodness as reflections of God's divine perfections, Sartre's predicate of the ‘not’ operates as an atheistic transcendental which signifies the non-being of God – that God is not. By comparing Sartre's phenomenological ontology to medieval theological metaphysics, this article not only highlights the atheist underpinnings of Sartre's entire ontological schema in Being and Nothingness but also offers a new way of interpreting Sartre as a systematic transcendental metaphysician. (shrink)

The Oxford Handbook of Contemporary Phenomenology presents twenty-eight essays by some of the leading figures in the field, and gives an authoritative overview of the type of work and range of topics found and discussed in contemporary phenomenology. It is the definitive guide to what is currently going on in phenomenology, and offers a rich source of insight and stimulation for philosophers, students of philosophy, and for people working in other disciplines of the humanities, social sciences, and sciences, who are (...) interested in the state of phenomenology today. The essays explore a diverse range of topics, including intentionality, embodiment, perception, naturalism, temporality, self-consciousness, language, knowledge, ethics, politics, art and religion, and will make it clear that phenomenology, far from being a tradition of the past, is alive and in a position to make valuable contributions to contemporary thought. (shrink)

How are we to view the nature of desire and its relation to value, humanity, and God? Sartre, Nietzsche, and Levinas have interesting things to say in this context, and they can be understood to be responding in their different ways to two seemingly opposed ways of conceiving of desire, namely, as lack or deficiency or as plenitude or creativity. I clarify, link, and distinguish the relevant conceptions of desire, and give a sense of what it could mean to comprehend (...) desire in either or both of these ways. I question Sartre's insistence that man is a ‘useless passion’, trace it back to his commitment to a ‘lack’ model of desire, and argue that this model, as he understands it, stands in the way of the more creative conception which is lurking in the background of his account. There will be a question of whether the atheist is entitled to this creative conception, and I shall challenge his assumption that it becomes available only when theism is overthrown. I shall suggest also that there is something important to be salvaged from the lack model. (shrink)

Continental philosophy of religion often takes place within the horizons of phenomenology. A central theme of this tradition is the correlation, in one form or another, of intentional act (noesis) and intentional object (noema), the “object” as given to or taken by the subject. But in dialectical tension with this theme is the notion of inverted intentionality in which the arrows of meaning bestowing intentionality come toward the self rather than emanating from the self. This theme is developed by Sartre, (...) Levinas, and Derrida, among others. Since each of these is in some fashion an atheist, it is surprising but important that their reflections on what it means to be seen or to be addressed keep turning toward the question of God. This suggests that the basic concept is important for the philosophy of religion, at least in monotheistic contexts. (shrink)

This essay addresses the alienation of aesthetics from ethics in the context of modernity. In examining the modern development of moral theory, it offers a critique of the dominant trends within that tradition, arguing that the result is a fragmented and disordered conception of the good life. Christian ethics, grounded in a conception of the beauty of God’s being as a disclosure of the true good, can reaffirm the connection between ethics and aesthetics, that beauty is not simply a matter (...) of inward reflection but also of action toward the world, which gives content to moral life. Christian ethics ultimately requires a “sense of style” through which we are attracted to a life lived in imitation of Christ, and through which our conceptions of virtue are grounded in a desire to act in such a way as to manifest God’s beauty before the world. (shrink)

Sebastian Gardner competently tackles one of Sartre's more complex and challenging works in this new addition to the Reader's Guides series.

The article focuses on Jean-Luc Marion’s ‘saturated phenomenon’ by reading it within the context of Husserl’s Logical Investigations. It is argued that Marion’s revision of Husserl must not be understood as a refutation of Husserl but rather as an extension of Husserlian phenomenology. In other words, since Marion needs Husserl and the thesis of intentionality to develop his ideas, the saturated phenomenon affirms the structure of classical phenomenology. This implies corrections of Marion’s description of the saturated phenomenon: the article investigates (...) how the Husserlian idea of ‘disappointment’ (Enttäuschung) is able to elucidate the saturated phenomenon. (shrink)

Sartre’s memoir Words turns on his mid-life realisation that, although he had abandoned belief in God, he had hitherto based his work on a religious model. From this point God no longer appears as a primary reference in his writings. This is in sharp contrast with the pervasive presence of God in earlier works, especially in his ontology and related reflections on ethics. In ontology Sartre was particularly concerned with the Cartesian idea of the creator God as ens causa sui. (...) Adapting this to his own system, he uses the idea of causa sui to mark the absolute (but non-substantial) existence of for-itself being (consciousness) as separate from the uncreated plenitude of in-itself being. He then argues that the idea of God as a consciousness that founds its own being is an impossible synthesis of the for-itself and the in-itself. The idea nonetheless remains fundamental for consciousness, for desire, which arises in response to lack, ultimately the lack of in-itself being, reflects an original choice that leads to constant striving towards the impossible goal of being God. This theme haunts the ontology from beginning to end. Sartre offers a system to rival Descartes or Leibniz, but adopts a quasi-religious framework of salvation in which, apart from the promise of a possible escape from ontological destiny, human beings are condemned to futility. In ethics he explores the idea of conversion from original choice to an authentic choice of freedom, but fails to break out of the closed framework set by the ontology. (shrink)