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  1. Defining imagination: Sartre between Husserl and Janet.Beata Stawarska - 2005 - Phenomenology and the Cognitive Sciences 4 (2):133-153.
    The essay traces the double, phenomenological and psychological, background of Sartre’s theory of the imagination. Insofar as these two phenomenological and psychological currents are equally influential for Sartre’s theory of the imagination, his intellectual project is situated in an inter-disciplinary research area which combines the descriptive analyses of Edmund Husserl with the clinical reports and psychological theories of Pierre Janet. While Husserl provides the foundation for the prevailing theory of imagination as pictorial representation, Janet’s findings on obsessive behavior enrich an (...)
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  • Epistemology of visual thinking in elementary real analysis.Marcus Giaquinto - 1994 - British Journal for the Philosophy of Science 45 (3):789-813.
    Can visual thinking be a means of discovery in elementary analysis, as well as a means of illustration and a stimulus to discovery? The answer to the corresponding question for geometry and arithmetic seems to be ‘yes’ (Giaquinto [1992], [1993]), and so a positive answer might be expected for elementary analysis too. But I argue here that only in a severely restricted range of cases can visual thinking be a means of discovery in analysis. Examination of persuasive visual routes to (...)
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  • Sartre.Robert Hopkins - 2016 - In Amy Kind (ed.), The Routledge Handbook of the Philosophy of Imagination. New York: Routledge. pp. 82-93.
    In The Imaginary Sartre offers a systematic, insightful and heterodox account of imagining in many forms. Beginning with four ‘characteristics’ he takes to capture the phenomenology of imagining, he draws on considerations both philosophical and psychological to describe the deeper nature of the state that has those features. The result is a view that remains the most potent challenge to the Humean orthodoxy that to this day dominates both philosophical and psychological thinking on the topic.
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  • The Metaphorical Process as Cognition, Imagination, and Feeling.Paul Ricoeur - 1978 - Critical Inquiry 5 (1):143-159.
    But is not the word "metaphor" itself a metaphor, the metaphor of a displacement and therefore of a transfer in a kind of space? What is at stake is precisely the necessity of these spatial metaphors about metaphor included in our talk about "figures" of speech. . . . But in order to understand correctly the work of resemblance in metaphor and to introduce the pictorial or ironic moment at the right place, it is necessary briefly to recall the mutation (...)
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  • Sartre and Ricoeur on Imagination.Thomas Busch - 1996 - American Catholic Philosophical Quarterly 70 (4):507-518.
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  • (1 other version)The Concrete Imagination.Mary Warnock - 1970 - Journal of the British Society for Phenomenology 1 (2):6-12.
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