Technology has developed to the point where a clear distinction between nature and culture seems to be dissolving. Against this background, a broad aspect of social research has emerged that considers an interdependence between the social and the material. So far, social-systems cybernetics as described by Luhmann has remained rather marginalized in these discussions. This article is intended to overcome this marginalization by developing the concept of meaning. Meaning can abstractly be defined as a ‘doing negativity’. Returning to systems theory, (...) it becomes obvious that verbalized meaning (expressed through language) is only one possible medium of meaning. Adopting some concepts from Helmuth Plessner, I introduce another medium of meaning – corporealized meaning (expressed in physical terms), which also operates meaningfully along the distinction between actuality and potentiality, and thus does negativity. I discuss consequences of observing the relationship between sociality and materiality from this perspective. (shrink)

The relevance of Kant to Plessner’s work was long all but ignored and there is hardly any mention of Plessner in the Kant literature. The Plessner renaissance beginning in the 1990s, however, has brought with it a stronger focus on the methodological construction of his theory, so that the Kant connection has at least been acknowledged, but the particular relevance of Kant’s Critique of Judgement has not been systematically explicated. In this essay, I investigate the connection between Kant’s notion of (...) reflective—specifically teleological—judgment and Plessner’s theory. I begin by setting out the characteristics of teleological judgment, with two points being of particular importance: the temporal structure of the final cause and Kant’s reference to an understanding other than the human, that is, to an ordering power other than the human. In a second step, I work out Plessner’s conceptualization of the spatiotemporal appearance of organisms and the way he understands the other of human understanding as nature’s—or history’s—historically evolved and mutable capacity for self-order. He arrives at these conclusions by way of a methodologically controlled process of questioning derived from Kant, which he calls the “principle of the open question.”. (shrink)

'beauty has purport and significance only for human beings, for beings at once animal and rational' In the Critique of Judgement Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the apparent purposiveness of nature (...) with respect to the highest interests of reason and enlightenment. The work profoundly influenced the artists and writers of the classical and romantic period and the philosophy of Hegel and Schelling. It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory. J. C. Meredith's classic translation has been revised in accordance with standard modern renderings and provided with a bilingual glossary. This edition also includes the important 'First Introduction' that Kant originally composed for the work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Much social theory takes for granted the core conceit of modern culture, that modern actors-individuals, organizations, nation states-are autochthonous and natural entities, no longer really embedded in culture. Accordingly, while there is much abstract metatheory about "actors" and their "agency," there is arguably little theory about the topic. This article offers direct arguments about how the modern (European, now global) cultural system constructs the modern actor as an authorized agent for various interests via an ongoing relocation into society of agency (...) originally located in transcendental authority or in natural forces environing the social system. We see this authorized agentic capability as an essential feature of what modern theory and culture call an "actor," and one that, when analyzed, helps greatly in explaining a number of otherwise anomalous or little analyzed features of modern individuals, organizations, and states. These features include their isomorphism and standardization, their internal decoupling, their extraordinarily complex structuration, and their capacity for prolific collective action. (shrink)

The lived body (Leib) in the phenomenological tradition tends to be thought as the living body of the acting and perceiving subject, which is then analyzed by way of subjective self-reflection. This is true for Husserl (1970) as well as for Merleau-Ponty (1962) and Sartre (1992). When, however, the lived body is made the starting point of analysis in this way, it becomes a general and thus transhistorical condition of experience, and it is only in a second step that social (...) relations and historical formation can be inscribed into it. Plessner’s concept of the lived body (Leib) differs in two ways from this view predominant in phenomenology. First, Plessner does not approach the lived body in terms of a .. (shrink)

Die sozialtheoretischen Diskussionen der letzten Jahrzehnte haben zu neuartigen Anforde-rungen an eine allgemeine Sozialtheorie geführt. Wie muss eine allgemeine Theorie des Sozialen aussehen, • die den Kreis legitimer Akteure als historisch variabel, d.h. als kontingent, begreift, statt ihn selbstverständlicherweise auf den Kreis lebendiger Menschen zu beschrän-ken? • die die Natur-Kultur-Unterscheidung nicht als gegeben voraussetzt, sondern als eine mögliche Ordnung des Zugangs zur Welt begreift? • die Ordnung nicht nur als eine Ordnung des Sozialen analysiert, sondern auch Ma-terialität und die Dimensionen (...) von Raum und Zeit einbezieht? • die Gewalt als ordnungsbildende Kraft begreifen kann? • die eine Perspektive für die Formulierung einer Gesellschaftstheorie erschliesst? Mit Blick auf die allgemeine Theoriedebatte werden in diesem Buch drei Diskussionstränge zusammengeführt: Zum einen das Konglomerat an Debatten um die Notwendigkeit theoretischer Neuorientierungen (”turns“ oder ”Wenden“ wie z.B. linguistic turn, material turn, body turn, pictorial turn oder spatial turn); zum anderen die Problematisierung der Grenzen der Sozialwelt bzw. des Akteursstatus nichtmenschlicher Entitäten; drittens die immer wieder aufflackernden Auseinan-dersetzungen um die Bedeutung von Gewalt für die Gestaltung sozialer Prozesse. Die Theorie der Weltzugänge führt diese Aspekte zu einer Theorie mehrdimensionaler Ordnungsbildung zusammen und entwickelt dabei zugleich eine Perspektive für die Ausarbeitung einer Gesellschaftstheorie. Dieser Schritt ist theoriearchitektonisch notwendig, denn dadurch lassen sich die Sozialtheorie und damit auch die durch sie angeleiteten Forschungen reflexiv historisch situieren - dies ist die Voraussetzung für eine rationale Theoriekonstruktion. (shrink)

In order to delimit the realm of social phenomena, sociologists refer implicitly or explicitly to a distinction between living human beings and other entities, that is, sociologists equate the social world with the world of living humans. This consensus has been questioned by only a few authors, such as Luckmann, and some scholars of science studies. According to these approaches, it would be ethnocentric to treat as self-evident the premise that only living human beings can be social actors. The methodological (...) consequence of such critique is a radical deanthropologization of sociological research. It must be considered an open question whether or not only living human can be social actors. The paper starts with a discussion of the methodological problems posed by such an analysis of the borders of the social world, and presents the results of an empirical analysis of these borders in the fields of intensive care and neurological rehabilitation. Within these fields it must be determined whether a body is a living human body or a symbol using human body. The analysis of these elementary border phenomena challenges basic sociological concepts. The relevant contemporary sociological theories refer to a dyadic constellation as the systematic starting point of their concept of sociality. The complex relationship between at least two entities is understood as the basis of the development of a novel order that functions as a mediating structure between the involved parties. Based upon empirical data, I argue that it is necessary to change this foundational assumption. Not the dyad but the triad must be understood as the foundational constellation. This implies a new understanding of the third actor, which is distinct from the concepts developed by Simmel and Berger and Luckmann. (shrink)

“Philosophical Anthropology,” which is reconstructed here, does not deal with anthropology as a philosophical subdiscipline but rather as a particular philosophical approach within twentieth-century German philosophy, connected with thinkers such as Max Scheler, Helmuth Plessner and Arnold Gehlen. This paper attempts a more precise description of the core identity of Philosophical Anthropology as a paradigm, observes the differences between the authors within the paradigm, and differentiates the paradigm as a whole from other twentieth-century philosophical approaches, such as transcendental philosophy, evolutionary (...) theory or naturalism, existentialism, and hermeneutic philosophy. In determining the human being as “excentric positionality,” Philosophical Anthropology arrives at unique categorical intertwinings between the biological, social and cultural sciences. (shrink)