The omen of the door and the eagle at Iliad 24.314–21 appears to have sparked scant scholarly interest, but deserves careful attention. The omen itself forms part of an analogy, for the eagle is likened in the size of its wingspan to a large, barred door. This simile might seem unremarkable, merely a convenient means of depicting great size, a casual juxtaposition of two ordinary nouns. The omen, on the whole, might be dismissed as nothing more than a conventional expression (...) of divine favor. But closer scrutiny will reveal that there is, in fact, nothing arbitrary or haphazard in the selection of the terms of the analogy. Appreciation of the elegance and subtlety of the simile in turn reveals the full import of the omen. (shrink)

The excursus of Thucydides on the last years of Pausanias and Themistocles is remarkable for its simple, rapid-flowing style, its storytelling tone, its wealth of personal ancedote, its marked deviation from his normally strict criteria of relevance. These characteristics, which give the excursus a Herodotean flavour, have often been noted by modern scholars, but until recently acceptance of its general credibility has been widespread, and indeed, with one important exception, which seems to have created very little impression almost unchallenged.

The excursus of Thucydides on the last years of Pausanias and Themistocles is remarkable for its simple, rapid-flowing style, its storytelling tone, its wealth of personal ancedote, its marked deviation from his normally strict criteria of relevance. These characteristics, which give the excursus a Herodotean flavour, have often been noted by modern scholars, but until recently acceptance of its general credibility has been widespread, and indeed, with one important exception, which seems to have created very little impression almost unchallenged.