The originality of Kittler is not his preference for technical media, but his insight in the linking of media with the technique of time axis manipulation. The most elementary experience in human existence is the irreversibility of the flow of time. Technology provides a means for channeling this irreversibility. Media are practices that use strategies of spatialization to enable one to manipulate the order of things that progress in time by transforming singular events in reproducible data. Human bodies cannot be (...) seen as media because they are subject to the linearity of time. Are media a priori functioning universals for Friedrich Kittler? The answer is: no. Media history has a beginning (writing) and an end (computer). (shrink)

Following a short discussion of the German philosopher Friedrich A. Kittler’s biographical and intellectual formation, this interview introduces the reader to Kittler’s theoretical efforts to develop our understanding of contemporary culture and society. However, the focus of the interview is on the core concepts of ‘discourse networks’, ‘the military-industrial complex’, and ‘technology’, arguably the three central themes of Kittler’s work to date. As the title of the interview indicates, the idea of ‘cultural mathematics’ is also considered important in this account (...) of Kittler’s particular contribution to social and cultural theory, although this and related notions are critically appraised together with an assessment of their theoretical, social and cultural impact. (shrink)

This paper offers a brief introduction and interpretation of recent research on cultural techniques (or Kulturtechnikforschung) in German media studies. The analysis considers three sites of conceptual dislocations that have shaped the development and legacy of media research often associated with theorist Friedrich Kittler: first, the displacement of 1980s and 1990s Kittlerian media theory towards a more praxeological style of analysis in the early 2000s; second, the philological background that allowed the antiquated German appellation for agricultural engineering, Kulturtechniken, to migrate (...) into media and cultural studies; and third, the role of these conceptual dislocations in enriching media-genealogical inquiries into topics such as life, biopolitics, and practice. (shrink)