ABSTRACT This essay examines the exhibition of dinosaurs at the American Museum of Natural History during the first two decades of the twentieth century. Dinosaurs provide an especially illuminating lens through which to view the history of museum display practices for two reasons: they made for remarkably spectacular exhibits; and they rested on contested theories about the anatomy, life history, and behavior of long-extinct animals to which curators had no direct observational access. The American Museum sought to capitalize on the (...) popularity of dinosaurs while mitigating the risks of mounting an overtly speculative display by fashioning them into a kind of mixed-media installation made of several elements, including fossilized bone, shellac, iron, and plaster. The resulting sculptures provided visitors with a vivid and lifelike imaginative experience. At the same time, curators, who were anxious to downplay the speculative nature of mounted dinosaurs, drew systematic attention to the material connection that tied individual pieces of fossilized bone to the actual past. Freestanding dinosaurs can therefore be read to have functioned as iconic sculptures that self-consciously advertised their indexical content. (shrink)

This essay explores how the scientific community interpreted the discoveries of extinct giant birds during the mid-nineteenth century on the islands of New Zealand and Madagascar. It argues that the Aepyornis of Madagascar was understood through the moa of New Zealand because of the rise of global networks and theories. Indeed, their global connections made giant birds a sensation among the scientific community and together forged theories and associations not possible in isolation. In this way, this paper argues for a (...) closer look at how the creation of science emerged from a world framework that involved multiple sites of discovery and interpretation that continually influenced and reshaped scientific theories. It also stresses the importance of local naturalists in participating in this global exchange of knowledge. (shrink)

ABSTRACT Even as the division between professional scientists and laypeople became sharper by the end of the nineteenth century, the collaboration of local people remained important in scientific fieldwork, especially in sciences such as vertebrate paleontology that required long‐term extractive access to research sites. In the North American West, the competition between museums and universities for the best fossil quarry sites involved negotiations with locals. The conflict over differing conceptions of the field site is vividly demonstrated through an examination of (...) one site on the High Plains of western Nebraska in the early twentieth century. This case offers a rare opportunity to see not only how professionals regarded such sites but also how the resident ranching family, the Cooks, attempted to exercise leverage over the scientific fieldwork that took place there. While the Carnegie Museum of Pittsburgh became mired in protracted conflict with the Cooks over discovery claims and the ongoing control of the site, the University of Nebraska and the American Museum of New York developed more harmonious relations with the site's resident ranching family. (shrink)

This article uses the example of Hesperornis regalis, an ancient toothed bird discovered in Kansas during the 1870s, to discuss a practice that became extremely widespread in late-nineteenth-century paleontology: the use of plaster cast replicas to circulate especially noteworthy discoveries. Building upon a growing literature at the intersection of book history and the history of science, I argue that paleontologists developed plaster casts as a compromise medium that combined some features of print with others from original natural history specimens. For (...) example, because plaster casts were mechanical reproductions, they could be fabricated in fairly large numbers at a relatively modest price. This allowed them to circulate more readily than original fossils. At the same time, however, paleontologists treated casts as a material trace of prehistory, much like an original fossil itself. As a result, they were seen as especially authoritative and trustworthy objects of knowledge. Insofar as they combined features of print and prehistory, I argue that casts functioned as a genuine mode of publication in late-nineteenth-century paleontology, but one that foregrounded its own materiality.`. (shrink)

This paper traces the trade routes of South American fossil mammal bones in the 1830s, thus elaborating both local and intercontinental networks that ascribed new meanings to objects with little intrinsic value. It analyses the role of British consuls, natural-history dealers, administrative instructions and naturalists, who took the bones from the garbage pits of ranches outside Buenos Aires and delivered them into the hands of anatomists. For several years, the European debates on the anatomy ofMegatheriumwere shaped by the arrival in (...) London of a small living mammal and the ideas and evidence received from Montevideo on the existence of huge fossil bony armours. These debates culminated late in 1838 in the creation of the extinct genusGlyptodonby Richard Owen as a result of the exchange of letters, objects and depictions, and a series of contingent events. Based on primary sources and South American scholarship, this paper aims to contribute to the current debates among historians of science about the mobility of knowledge, as well as presenting the condition that made Charles Darwin's work possible. (shrink)