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  1. Ambrogio Lorenzetti: The artist as political philosopher.Quentin Skinner - 1987 - In Skinner Quentin (ed.), Proceedings of the British Academy, Volume 72: 1986. pp. 1-56.
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  • The Meaning of "Aristotelianism" in Medieval Moral and Political Thought.Cary J. Nederman - 1996 - Journal of the History of Ideas 57 (4):563-585.
    In lieu of an abstract, here is a brief excerpt of the content:The Meaning of “Aristotelianism” in Medieval Moral and Political ThoughtCary J. NedermanI. “Aristotelian” and “Aristotelianism” are words that students of medieval ideas use constantly and almost inescapably. 1 The widespread usage of these terms by scholars in turn reflects the popularity of Aristotle’s thought itself during the Latin Middle Ages: Aristotle provided many of the raw materials with which educated Christians of the Middle Ages built up the edifice (...)
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  • Ambrogio lorenzetti's buon governo frescoes: Two old questions, two new answers.Quentin Skinner - 1999 - Journal of the Warburg and Courtauld Institutes 62 (1):1-28.
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  • Political ideas in sienese art: The frescoes by ambrogio lorenzetti and taddeo di bartolo in the Palazzo pubblico.Nicolai Rubinstein - 1958 - Journal of the Warburg and Courtauld Institutes 21 (3/4):179-207.
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  • Oedipus Lex: Psychoanalysis, History, Law.Peter Goodrich - 1995 - University of California Press.
    _Oedipus Lex_ offers an original and evocative reading of legal history and institutional practice in the light of psychoanalysis and aesthetics. It explores the unconscious of law through a wealth of historical and contemporary examples. Peter Goodrich provides an anatomy of law's melancholy and boredom, of addiction to law, of legal repressions, and the aesthetics of jurisprudence. He retraces the genealogy of law and invokes the failures and exclusions—the poets, women, and outsiders—that legal science has left in its wake. Goodrich (...)
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