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  1. The creative mind.Scott R. Turner - 1995 - Artificial Intelligence 79 (1):145-159.
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  • The engineering of creativity: a review of Boden's the creative mind. [REVIEW]Roger C. Schank & David A. Foster - 1995 - Artificial Intelligence 79 (1):129-143.
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  • Understanding the Creative Mind: a review of Margaret Boden's creative mind. [REVIEW]Ashwin Ram, Linda Wills, Eric Domeshek, Nancy Nersessian & Janet Kolodner - 1995 - Artificial Intelligence 79 (1):111-128.
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  • An unfair review of Margaret Boden's The Creative Mind from the perspective of creative systems.David Perkins - 1995 - Artificial Intelligence 79 (1):97-109.
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  • The creative mind: Myths and mechanisms.Roger Lustig - 1995 - Artificial Intelligence 79 (1):83-96.
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  • A Generative Theory of Tonal Music.Fred Lerdahl & Ray Jackendoff - 1987 - Journal of Aesthetics and Art Criticism 46 (1):94-98.
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  • Too many ideas, just one word: a review of Margaret Boden's the Creative Mind: Myths and Mechanisms. [REVIEW]Kenneth B. Haase - 1995 - Artificial Intelligence 79 (1):69-82.
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  • Scale and contour: Two components of a theory of memory for melodies.W. Jay Dowling - 1978 - Psychological Review 85 (4):341-354.
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  • Creativity and artificial intelligence.Margaret A. Boden - 1998 - Artificial Intelligence 103 (1-2):347-356.
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  • A general formulation of conceptual spaces as a meso level representation.Janet Aisbett & Greg Gibbon - 2001 - Artificial Intelligence 133 (1-2):189-232.
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  • The functions of consciousness.Bernard J. Baars - 1988 - In A Cognitive Theory of Consciousness. New York: Cambridge University Press.
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  • A Cognitive Theory of Consciousness.Bernard J. Baars - 1988 - New York: Cambridge University Press.
    Conscious experience is one of the most difficult and thorny problems in psychological science. Its study has been neglected for many years, either because it was thought to be too difficult, or because the relevant evidence was thought to be poor. Bernard Baars suggests a way to specify empirical constraints on a theory of consciousness by contrasting well-established conscious phenomena - such as stimulus representations known to be attended, perceptual, and informative - with closely comparable unconscious ones - such as (...)
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  • The Act of Creation.Arthur Koestler - 1964 - British Journal for the Philosophy of Science 16 (63):255-257.
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  • The Act of Creation: A Study of the Conscious and Unconscious Processes of Humor, Scientific Discovery and Art.A. Koestler - 1964
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  • Conceptual Spaces: The Geometry of Thought.Peter Gärdenfors - 2000 - Tijdschrift Voor Filosofie 64 (1):180-181.
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