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  1. The Aesthetic Preference for Nature Sounds Depends on Sound Object Recognition.Stephen C. Van Hedger, Howard C. Nusbaum, Shannon L. M. Heald, Alex Huang, Hiroki P. Kotabe & Marc G. Berman - 2019 - Cognitive Science 43 (5):e12734.
    People across the world seek out beautiful sounds in nature, such as a babbling brook or a nightingale song, for positive human experiences. However, it is unclear whether this positive aesthetic response is driven by a preference for the perceptual features typical of nature sounds versus a higher‐order association of nature with beauty. To test these hypotheses, participants provided aesthetic judgments for nature and urban soundscapes that varied on ease of recognition. Results demonstrated that the aesthetic preference for nature soundscapes (...)
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  • Taxonomy of Individual Variations in Aesthetic Responses to Fractal Patterns.Branka Spehar, Nicholas Walker & Richard P. Taylor - 2016 - Frontiers in Human Neuroscience 10.
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  • Beauty and the beholder: the role of visual sensitivity in visual preference.Branka Spehar, Solomon Wong, Sarah van de Klundert, Jessie Lui, Colin W. G. Clifford & Richard P. Taylor - 2015 - Frontiers in Human Neuroscience 9.
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  • Seasonal Variations in Color Preference.B. Schloss Karen, Rolf Nelson, Laura Parker, A. Heck Isobel & E. Palmer Stephen - 2017 - Cognitive Science 41 (6):1589-1612.
    We investigated how color preferences vary according to season and whether those changes could be explained by the ecological valence theory. To do so, we assessed the same participants’ preferences for the same colors during fall, winter, spring, and summer in the northeastern United States, where there are large seasonal changes in environmental colors. Seasonal differences were most pronounced between fall and the other three seasons. Participants liked fall-associated dark-warm colors—for example, dark-red, dark-orange, dark-yellow, and dark-chartreuse—more during fall than other (...)
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  • A thought in the park: The influence of naturalness and low-level visual features on expressed thoughts.Kathryn E. Schertz, Sonya Sachdeva, Omid Kardan, Hiroki P. Kotabe, Kathleen L. Wolf & Marc G. Berman - 2018 - Cognition 174 (C):82-93.
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  • Global Image Properties Predict Ratings of Affective Pictures.Christoph Redies, Maria Grebenkina, Mahdi Mohseni, Ali Kaduhm & Christian Dobel - 2020 - Frontiers in Psychology 11.
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  • Brightness differences influence the evaluation of affective pictures.Daniël Lakens, Daniel A. Fockenberg, Karin P. H. Lemmens, Jaap Ham & Cees J. H. Midden - 2013 - Cognition and Emotion 27 (7):1225-1246.
    We explored the possibility of a general brightness bias: brighter pictures are evaluated more positively, while darker pictures are evaluated more negatively. In Study 1 we found that positive pictures are brighter than negative pictures in two affective picture databases (the IAPS and the GAPED). Study 2 revealed that because researchers select affective pictures on the extremity of their affective rating without controlling for brightness differences, pictures used in positive conditions of experiments were on average brighter than those used in (...)
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  • How might contact with nature promote human health? Promising mechanisms and a possible central pathway.Ming Kuo - 2015 - Frontiers in Psychology 6.
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  • Is the preference of natural versus man-made scenes driven by bottom–up processing of the visual features of nature?Omid Kardan, Emre Demiralp, Michael C. Hout, MaryCarol R. Hunter, Hossein Karimi, Taylor Hanayik, Grigori Yourganov, John Jonides & Marc G. Berman - 2015 - Frontiers in Psychology 6.
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  • Image Feature Types and Their Predictions of Aesthetic Preference and Naturalness.Marc G. Berman, Frank F. Ibarra, Omid Kardan, MaryCarol R. Hunter, Hiroki P. Kotabe & Francisco A. C. Meyer - 2017 - Frontiers in Psychology 8.
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