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Japanese Aesthetics - Ch. 23

In Jay L. Garfield & William Edelglass (eds.), The Oxford Handbook of World Philosophy. Oup Usa. pp. 317-333 (2011)

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  1. Refining the past.Richard Bullen - 2010 - British Journal of Aesthetics 50 (3):243-254.
    In this paper I examine two ways in which the past manifests as central to Japanese visual aesthetics. Although distinct, both are manifestations of an attitude that places value on the past, characterizing Japanese (and, to a large measure, East Asian generally) aesthetic thinking. The first is situated in action, with the use of models inherited from past masters in the creation of art, exemplified in the practice of pictorial and calligraphic copying, and the way of tea. The second is (...)
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  • (1 other version)Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics.Steve Odin - 2001 - University of Hawaii Press.
    Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern aesthetic theory. Weaving between cultures and time periods, the author focuses (...)
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  • Samvega, ‘Aesthetic Shock’.Ananda K. Coomaraswamy - 1943 - Harvard Journal of Asiatic Studies 7 (3):174-179.
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  • The Myth of Japanese Uniqueness.Van C. Gessel & Peter N. Dale - 1988 - Journal of the American Oriental Society 108 (4):654.
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  • Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics.Steve Odin - 2005 - Journal of Aesthetics and Art Criticism 63 (3):291-292.
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  • Ozu and the Poetics of Cinema.David Bordwell - 1989 - Journal of Aesthetics and Art Criticism 47 (4):397-397.
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  • The Art of Living: Aesthetics of the Ordinary in World Spiritual Traditions.Crispin Sartwell - 1995 - State University of New York Press.
    This is a multicultural philosophy of art applied to common American and European experience and discussed in relation to Taoist, Buddhist, Hindu, Native American, and African traditions.
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  • (1 other version)Zen and Japanese culture.Daisetz Teitaro Suzuki - 1959 - New York: Pantheon Books. Edited by Richard M. Jaffe.
    One of this century's leading works on Zen, this book is a valuable source for those wishing to understand its concepts in the context of Japanese life and art.
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  • Ozu, His Life and Films.Donald Richie - 1975 - Journal of Aesthetics and Art Criticism 33 (4):479-480.
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  • The Karma of Words: Buddhism and the Literary Arts in Medieval Japan.William R. Lafleur - 1985 - Philosophy East and West 35 (3):319-320.
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  • Transcendental Style in Film: Ozu, Bresson, Dreyer.Paul Schrader - 2018 - Berkeley: Univ of California Press.
    With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from (...)
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  • Creativity and Taoism: a study of Chinese philosophy, art, & poetry.Chung-Yuan Chang - 1963 - London: Wildwood House.
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