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  1. (1 other version)Vergil, Aeneid 2. 250–2.Sara Mack - 1980 - Classical Quarterly 30 (01):153-.
    These lines from the second book of the Aeneid introduce the night on which Troy falls. They have always been felt to be impressive: rich in allusion, noteworthy for the monosyllabic ending of the first line, and memorable for the majestic zeugma of the last two lines. Line 250 opens by incorporating a half line from Ennius: vertitur interea caelum cum ingentibus signis and closes with a near-translation of the substance of a half-line from Homer.
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  • (1 other version)Vergil, Aeneid 2. 250–2.Sara Mack - 1980 - Classical Quarterly 30 (1):153-158.
    These lines from the second book of the Aeneid introduce the night on which Troy falls. They have always been felt to be impressive: rich in allusion, noteworthy for the monosyllabic ending of the first line, and memorable for the majestic zeugma of the last two lines. Line 250 opens by incorporating a half line from Ennius: vertitur interea caelum cum ingentibus signis and closes with a near-translation of the substance of a half-line from Homer.
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  • (1 other version)Ruit Oceano Nox.Peter E. Knox - 1989 - Classical Quarterly 39 (1):265-265.
    Night falls on war-weary Troy after a day of celebration, setting the stage for the final agony of the city: uertitur interea caelum et ruit Oceano nox inuoluens umbra magna terramque polumque Myrmidonumque dolos.
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  • (1 other version)Ruit Oceano Nox.Peter E. Knox - 1989 - Classical Quarterly 39 (01):265-.
    Night falls on war-weary Troy after a day of celebration, setting the stage for the final agony of the city: uertitur interea caelum et ruit Oceano nox inuoluens umbra magna terramque polumque Myrmidonumque dolos.
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  • Puns and Poetry in Lucretius' De Rerum Natura.Diskin Clay & J. M. Snyder - 1982 - American Journal of Philology 103 (2):220.
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