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  1. The Address of the Eye: A Phenomenology of Film Experience.Neal Oxenhandler & Vivian Sobchack - 1993 - Substance 22 (1):132.
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  • Engaging Characters: Fiction, Emotion, and the Cinema. [REVIEW]Murray Smith - 1999 - Journal of Aesthetics and Art Criticism 57 (1):88-89.
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  • How Can We Be Moved by the Fate of Anna Karenina.Colin Radford & Michael Weston - 1975 - Aristotelian Society Supplementary Volume 49 (1):67 - 93.
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  • Ways of Worldmaking.J. M. Moravcsik - 1978 - Journal of Aesthetics and Art Criticism 37 (4):483-485.
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  • How to Read a Film.James Monaco - 1977 - Journal of Aesthetics and Art Criticism 36 (2):233-234.
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  • (2 other versions)Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.
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  • (2 other versions)Image and Mind: Film, Philosophy, and Cognitive Science.Gregory Currie - 1998 - Philosophical Quarterly 48 (190):127-129.
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