Quantum leaps happen in texts, too. This reading of the role of the quantum leap in Karen Barad's agential realism is necessary, because arguing that the diffractive reading strategy proposed by Barad's ethico-onto-epistemology mirrors the physical phenomenon of diffraction would indeed be representationalist. Reviewing how Barad—in her own oeuvre—has transformed diffraction into an innovative reading methodology that could not only potentially challenge the epistemological underpinnings of the canonization process that is at work in feminist theory, but could also radically change (...) the canonization practice of feminist oeuvres itself, our article embarks on a detailed examination of the ways in which the oeuvres of Simone de Beauvoir and Luce Irigaray have been mistakenly categorized and canonized in a hierarchical and Oedipalized manner. This conflict-based narrative has not only paralyzed the oeuvres of Irigaray and Beauvoir, but also has had a negative impact on the canonization of sexual difference philosophy as a whole in feminist theory. By (re)reading the oeuvres diffractively, this article brings the feminist philosophies of Beauvoir and Irigaray together by invalidating the idea that the feminist canonization process always has to run along the lines of discontinuity, Oedipalization and dialectization. (shrink)

How much of philosophical, scientific, and political thought is caught up with the idea of continuity? What if it were otherwise? This paper experiments with the disruption of continuity. The reader is invited to participate in a performance of spacetime (re)configurings that are more akin to how electrons experience the world than any journey narrated though rhetorical forms that presume actors move along trajectories across a stage of spacetime (often called history). The electron is here invoked as our host, an (...) interesting body to inhabit (not in order to inspire contemplation of flat-footed analogies between ‘macro’ and ‘micro’ worlds, concepts that already presume a given spatial scale), but a way of thinking with and through dis/continuity – a dis/orienting experience of the dis/jointedness of time and space, entanglements of here and there, now and then, that is, a ghostly sense of dis/continuity, a quantum dis/continuity. There is no overarching sense of temporality, of continuity, in place. Each scene diffracts various temporalities within and across the field of spacetimemattering. Scenes never rest, but are reconfigured within, dispersed across, and threaded through one another. The hope is that what comes across in this dis/jointed movement is a felt sense of différance, of intra-activity, of agential separability – differentiatings that cut together/apart – that is the hauntological nature of quantum entanglements. (shrink)

"I experience language as an intensely physical process," writes Donna Haraway. "I cannot not think through metaphor... Biochemistry and language just don't feel that different to me." Since the appearance of her monumental Primate Visions and the now classic essay "A Manifesto for Cyborgs," feminist historian of science Donna Haraway has created a way of thinking about culture, science, and the production of knowledge that has made her one of the most highly regarded theorists in America. She is admired for (...) her passion and rigor, her wicked ironies, and her deep commitment to issues of gender and race, as well as species. The author of four seminal works on science and culture, Donna Haraway here speaks for the first time in a direct and non-academic voice. Thyrza Nichols Goodeve leads her subject through conversation about Haraway's intellectual development, theories and influences, the role of Catholicism in her thinking, and how her ethical stands have mirrored issues in her personal life. For readers who have admired and struggled with the rich and complex performances of her earlier works, How Like a Leaf will be a welcome inside view of the author's thought. At the same time, this work makes Haraway's contribution to modern thought available to a much wider audience who cares about the issues she addresses. This is a highly personal introduction to a major thinker's body of work. (shrink)

Modest_Witness@Second_Millennium. FemaleMan_Meets_OncoMouse explores the roles of stories, figures, dreams, theories, facts, delusions, advertising, institutions, economic arrangements, publishing practices, scientific advances, and politics in twentieth- century technoscience. The book's title is an e-mail address. With it, Haraway locates herself and her readers in a sprawling net of associations more far-flung than the Internet. The address is not a cozy home. There is no innocent place to stand in the world where the book's author figure, FemaleMan, encounters DuPont's controversial laboratory rodent, OncoMouse. (...) Haraway sees the world of contemporary technoscience as a drama. Information sciences and life sciences are at the center of the dramatic action. Scenes are set in landscapes where maps of human genetic differences are stored in databases, racialized bodies are reconfigured by morphing for photographs in popular magazines, and transgenic mice important to breast cancer research are patented intellectual property. The actors are many, and not all are human. Beginning with the Modest Witness, the key figure in the Science Revolution, Haraway shows us the trouble lurking in race and gender- marked practices for attesting to matters of fact. In later scenes, Haraway explores the kinship relations among the many cyborg creatures produced in the late twentieth-century--in nuclear research, genetic engineering, reproductive technologies, computer-mediated representational practices, and mutations in biological approaches to "race.". (shrink)

A theoretical physicist and feminist theorist, Karen Barad elaborates her theory of agential realism, a schema that is at once a new epistemology, ontology, and ethics.

It matters how academic peer-reviewing processes are carried out in higher education. Written as a Manifesto, this piece proposes an ethical, intra-active and generous way to do academic reviews. This is an alternative practice to the usual method of anonymous peer-reviewing of manuscripts which is located in a tradition of critique and contestation and reflects colonialist and humanist, individualistic hegemonies in the academy. Response-able reviewing is an affirmative process of peer-reviewing manuscripts which uses a diffractive methodology of reading and writing, (...) where alternative formulations can be made possible and where generative provocations may open spaces for new and creative insights. Such diffractive methodology of review involves care-full attentiveness, responsibility/accountability, and responsiveness in the reviewing process; it engages with the task at hand in respectful, care-full ways, paying close attention to the fine details and doing justice to the ideas expressed through dialogical engagement. The intention in this alternative practice of reviewing is of rendering each other capable, rather than attacking the scholarship of the other. Response-able reviewing is based on an ethic of care and justice, premised on a relational ontology rather than bounded individualism and competitiveness. (shrink)

The Posthuman Child combats institutionalised ageist practices in primary, early childhood and teacher education. Grounded in a critical posthumanist perspective on the purpose of education, it provides a genealogy of psychology, sociology and philosophy of childhood in which dominant figurations of child and childhood are exposed as positioning child as epistemically and ontologically inferior. Entangled throughout this book are practical and theorised examples of philosophical work with student teachers, teachers, other practitioners and children (aged 3-11) from South Africa and Britain. (...) These engage arguments about how children are routinely marginalised, discriminated against and denied, especially when the child is also female, black, lives in poverty and whose home language is not English. The book makes a distinctive contribution to the decolonisation of childhood discourses. Underpinned by good quality picturebooks and other striking images, the book's radical proposal for transformation is to reconfigure the child as rich, resourceful and resilient through relationships with (non) human others, and explores the implications for literary and literacy education, teacher education, curriculum construction, implementation and assessment. It is essential reading for all who research, work and live with children. (shrink)