Introduction -- The first meditation -- The second meditation -- The third meditation : the truth rule and the "chief and most common mistake" -- The third meditation : two demonstrations of God's existence -- The fourth meditation -- The fifth meditation -- The sixth meditation.

Between Two Worlds is an authoritative commentary on--and powerful reinterpretation of--the founding work of modern philosophy, Descartes's Meditations. Philosophers have tended to read Descartes's seminal work in an occasional way, examining its treatment of individual topics while ignoring other parts of the text. In contrast, John Carriero provides a sustained, systematic reading of the whole text, giving a detailed account of the positions against which Descartes was reacting, and revealing anew the unity, meaning, and originality of the Meditations. Carriero finds (...) in the Meditations a nearly continuous argument against Thomistic Aristotelian ways of thinking about cognition, and shows more clearly than ever before how Descartes bridged the old world of scholasticism and the new one of mechanistic naturalism. Rather than casting Descartes's project primarily in terms of skepticism, knowledge, and certainty, Carriero focuses on fundamental disagreements between Descartes and the scholastics over the nature of understanding, the relation between the senses and the intellect, the nature of the human being, and how and to what extent God is cognized by human beings. Against this background, Carriero shows, Descartes developed his own conceptions of mind, body, and the relation between them, creating a coherent, philosophically rich project in the Meditations and setting the agenda for a century of rationalist metaphysics. (shrink)

Sense-perception—the awareness or apprehension of things by sight, hearing, touch, smell and taste—has long been a preoccupation of philosophers. One pervasive and traditional problem, sometimes called “the problem of perception”, is created by the phenomena of perceptual illusion and hallucination: if these kinds of error are possible, how can perception be what it intuitively seems to be, a direct and immediate access to reality? The present entry is about how these possibilities of error challenge the intelligibility of the phenomenon of (...) perception, and how the major theories of perception in the last century are best understood as responses to this challenge. (shrink)

Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions.

Recent scholarship suggests that Descartes’s effort to establish a truth criterion is not viciously circular ---a fact that invites closer scrutiny of his epistemological program. One of the least well understood features of the project is his deduction of a truth criterion from theistic premises, a demonstration Descartes says he provides in the Fourth Meditation: the alleged proof is not revealed by a casual reading, nor have commentators fared any better; in general, the relevance of the Fourth Meditation has not (...) been duly appreciated. This paper reconstructs the argument of the Fourth Meditation, detailing the steps in the demonstration of the criterion and clarifying its role in the larger program. Surprisingly, Descartes deduces a truth criterion more fundamental than clarity and distinctness; this more fundamental criterion helps explain what are otherwise cryptic epistemological moves in the Sixth Meditation. (shrink)

Recent scholarship suggests that Descartes’s effort to establish a truth criterion is not viciously circular (notwithstanding its reputation)---a fact that invites closer scrutiny of his epistemological program. One of the least well understood features of the project is his deduction of a truth criterion from theistic premises, a demonstration Descartes says he provides in the Fourth Meditation: the alleged proof is not revealed by a casual reading, nor have commentators fared any better; in general, the relevance of the Fourth Meditation (...) has not been duly appreciated. This paper reconstructs the argument of the Fourth Meditation, detailing the steps in the demonstration of the criterion and clarifying its role in the larger program. Surprisingly, Descartes deduces a truth criterion more fundamental than clarity and distinctness; this more fundamental criterion helps explain what are otherwise cryptic (though central) epistemological moves in the Sixth Meditation. (shrink)

How are we to understand philosophical claims about sense perception being direct versus indirect? There are multiple relevant notions of perceptual directness, so I argue. Perception of external objects may be direct on some notions, while indirect on others. My interest is with the sense in which ideas count as perceptual mediators in the philosophy of Descartes and Locke. This paper has two broader aims. The first is to clarify four main notions of perceptual directness. The second is to support (...) my contention that in the texts characterizing ideas as immediate objects of perception, Descartes and Locke are invoking the notion of directness I call 'objectual'. This notion is modeled on the way a picture mediates perception of the pictured object. The upshot of my account is that – with respect to the objectual notion of directness – Descartes and Locke each hold an indirect theory of perception. (shrink)

How are we to understand philosophical claims about sense perception being direct versus indirect? There are multiple relevant notions of perceptual directness, so I argue. Perception of external objects may be direct on some notions, while indirect on others. My interest is with the sense in which ideas count as perceptual mediators in the philosophy of Descartes and Locke. This paper has two broader aims. The first is to clarify four main notions of perceptual directness. The second is to support (...) my contention that in the texts characterizing ideas as immediate objects of perception, Descartes and Locke are invoking the notion of directness I call ‘objectual’. This notion is modeled on the way a picture mediates perception of the pictured object. The upshot of my account is that – with respect to the objectual notion of directness – Descartes and Locke each hold an indirect theory of perception. (shrink)

My aim is to arrive at a better understanding of the distinction between direct realism and representationalism by offering a critical analysis of Steven Nadler.

The thoughts of three philosophers on three topics: meaning, causality, and objectivity, are the focus of this study.

René Descartes (1596-1650) is widely regarded as the father of modern philosophy. His noteworthy contributions extend to mathematics and physics. This entry focuses on his philosophical contributions in the theory of knowledge. Specifically, the focus is on the epistemological project of Descartes' famous work, Meditations on First Philosophy.