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  1. Callimachus, Aetia Fr. 1.9–12.A. S. Hollis - 1978 - Classical Quarterly 28 (2):402-406.
    Both and are guaranteed by the London scholia, so the gap is reduced to the tantalizingly small one of a monosyllabic feminine noun in the accusative case, most probably of four letters. The number of possibilities cannot be unlimited. My own suggestion must necessarily remain in limbo in the present state of our knowledge concerning the poet or poets whom Callimachus is talking about, but at least it seems to me less bizarre than other restorations currently in the field.
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  • Remarques Sur Le Nouvel Archiloque.J. C. Kamerbeek - 1976 - Mnemosyne 29 (2):113-128.
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  • Callimachus, Aetia Fr. 1.9–12.A. S. Hollis - 1978 - Classical Quarterly 28 (02):402-.
    Both and are guaranteed by the London scholia , so the gap is reduced to the tantalizingly small one of a monosyllabic feminine noun in the accusative case, most probably of four letters. The number of possibilities cannot be unlimited. My own suggestion must necessarily remain in limbo in the present state of our knowledge concerning the poet or poets whom Callimachus is talking about, but at least it seems to me less bizarre than other restorations currently in the field.
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  • Homeric Epithets in Greek Lyric Poetry.A. E. Harvey - 1957 - Classical Quarterly 7 (3-4):206-.
    One of the ways in which a poet may show his quality is by discrimination and originality in his choice of adjectives. Poetry likes to adorn the bare noun; a noun such as ‘the sky’ calls out for an attribute. But in practice the poet has to take care to avoid the cliche. He can seldom write ‘the blue sky’; even ‘the azure sky’ has become trite. He has to search for the epithet which will be both apt and original.
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  • Homeric Epithets in Greek Lyric Poetry.A. E. Harvey - 1957 - Classical Quarterly 7 (3-4):206-223.
    One of the ways in which a poet may show his quality is by discrimination and originality in his choice of adjectives. Poetry likes to adorn the bare noun; a noun such as ‘the sky’ calls out for an attribute. But in practice the poet has to take care to avoid the cliche. He can seldom write ‘the blue sky’; even ‘the azure sky’ has become trite. He has to search for the epithet which will be both apt and original.
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  • Kritische Überlegungen zu den Fragmenten des Archilochos.Thomas Gärtner - 2008 - Hermes 136 (1):1-14.
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  • Archilochus Fr. 2 Diehl.J. A. Davison - 1960 - The Classical Review 10 (01):1-4.
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