This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

In May 1862 Desmond G. Fitzgerald, the editor of the Electrician, lamented thattelegraphy has been until lately an art occult even to many of the votaries of electrical science. Submarine telegraphy, initiated by a bold and tentative process – the laying of the Dover cable in the year 1850 – opened out a vast field of opportunity both to merit and competency, and to unscrupulous determination. For the purposes of the latter, the field was to be kept close [sic], and (...) science, which can alone be secured by merit, more or less ignored.To Fitzgerald, the ‘occult’ status of the telegraph looked set to continue, with recent reports of scientific counterfeits, unscrupulous electricians and financially motivated saboteurs involved in the telegraphic art. Nevertheless, Fitzgerald reassured his readers that the confidence of ‘those who act for the public’ had been restored by earnest electricians, whose ‘moral cause’ would ultimately be felt and who ‘may be safely trusted even in matters where there is an option between a private interest and a public benefit’. As a prominent crusader for the telegraph, Fitzgerald voiced the concerns of many electricians seeking public confidence and investment in their trade in the wake of the failed submarine telegraphs of the 1850s. The spread of proper knowledge about the telegraph would hinge on securing an adequate supply of backers and the construction of telegraphy as a truly moral cause – an art cleansed of fraudsters, ignoramuses and dogmatists. (shrink)