In a work of astonishing intellectual range, James Engell traces the evolution of the creative imagination, from its emergence in British empirical thought through its flowering in Romantic art and literature. The notion of a creative imagination, Engell shows, was the most powerful and important development of the eighteenth century. It grew simultaneously in literature, criticism, philosophy, psychology, religion, and science, attracting such diverse minds as Hobbes, Addison, Gerard, Goethe, Kant, and Coleridge. Indeed, rather than discussing merely the abstract notion (...) of the imagination, Engell examines the community of thinkers, especially in England and Germany, who joined to pursue and develop what became the most fascinating and suggestive concept of modern Western thought. For as the imagination became the dominant subject of literature, its meanings multiplied. Finally it came to be seen as the crown of artistic creation and as the mediator in the ongoing dialectic between matter and spirit, materialism and transcendentalism. (shrink)

"The medical establishment has become a major threat to health. The disabling impact of professional control over medicine has reached the proportions of an epidemic. Iatrogenesis, the name for this new epidemic, comes from iatros, the Greek word for physician, and genesis, meaning origin. Discussion of the disease of medical progress has moved up on the agendas of medical conferences, researchers concentrate on the sick-making powers of diagnosis and therapy, and reports on paradoxical damage caused by cures for sickness take (...) up increasing space in medical dope-sheets [...] The public has been alerted to the perplexity and uncertainty of the best among its hygienic caretakers [...] This book argues that panic is out of place. Thoughtful public discussion of the iatrogenic pandemic, beginning with an insistence upon demystification of all medical matters, will not be dangerous to the commonweal."-- from Introduction. (shrink)

SummaryWithin thirty years from 1870, English physiology was transformed from a subsidiary branch of anatomy to an experimental school of international reputation. An inevitable consequence of this metamorphosis was disclosure of the intrinsic nature of the new discipline, in particular by Burdon Sanderson's Handbook for the Physiological Laboratory (1873). By transmitting Continental methods to England, the Handbook gave direction to its awakening science, and at the same time represented a provocative target for attacks by the antivivisectionists. In uncertain defence of (...) their methods, the beleaguered physiologists exposed awkward inconsistencies of word and deed that reflected fundamental (if not unique) problems of internal ethics and of public accountability. Though to many the discipline remained technically brutal and aesthetically coarse, the necessary suffering of the intuitionists' nightmares could soon, by the growing and undeniable impact of therapeutic medicine, be presented as a justifiable price for the utilitarian dream. (shrink)