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Vision and Visuality.Hal Foster & Dia Art Foundation - 1999 - Discussions in Contemporary Cu.details
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Out of the Shadows. Herschel, Talbot, and the Invention of Photography.L. J. Schaff & P. M. Harman - 1994 - Annals of Science 51 (6):676-676.details
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Objectivity.Lorraine Daston - 2007 - Cambridge, Mass.: The MIT Press. Edited by Peter Galison.details
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Things That Talk: Object Lessons From Art and Science.Lorraine Daston (ed.) - 2004 - Cambridge, Mass.: Zone Books.details
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Microcinematography and the History of Science and Film.Hannah Landecker - 2006 - Isis 97 (1):121-132.details
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Laboratory Life: The construction of scientific facts.Bruno Latour & Steve Woolgar - 1986 - Princeton University Press.details
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Graphical method and discipline: Self-recording instruments in nineteenth-century physiology.Soraya de Chadarevian - 1993 - Studies in History and Philosophy of Science Part A 24 (2):267-291.details
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Photogenic Venus.Jimena Canales - 2002 - Isis 93:585-613.details
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From phenomenology to field theory: Faraday's visual reasoning.David C. Gooding - 2006 - Perspectives on Science 14 (1):40-65.details
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A science whose business is bursting: Soap bubbles as commodities in classical physics.Simon Schaffer - 2004 - In Lorraine Daston (ed.), Things That Talk: Object Lessons From Art and Science. Cambridge, Mass.: Zone Books. pp. 147--194.details
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Images of the sun: Warren De la Rue, George Biddell Airy and celestial photography.Holly Rothermel - 1993 - British Journal for the History of Science 26 (2):137-169.details
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Seeing and Believing Science.Iwan Morus - 2006 - Isis 97:101-110.details
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Peirce's Doctrine of Signs: Theory, Applications, and Connections.Vincent Michael Colapietro & Thomas M. Olshewsky (eds.) - 1996 - De Gruyter Mouton.details
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Philosophers and artisans : the relationship between men of science and instrument makers in London 1820-1860.William Thomas Ginn - unknowndetails
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