This article studies a fragment on the conic sections that appear in the Codex Atlanticus, fols. 611rb/915ra. Arguments are put forward to assemble these two folios. Their comparison with the Latin texts available before 1500 shows that they derive from the De speculis comburentibus of Alhacen and the De speculis comburentibus of Regiomontanus, joined together in his autograph manuscript. Having identified the sources, and discussed their mathematics, the issue of their transmission is targeted. It is shown that these notes were (...) written by Paolo dal Pozzo Toscanelli, through whom they reached the notebooks of Leonardo da Vinci. (shrink)

From the second half of the 10th century, mathematicians developed a new chapter in the geometry of conic sections, dealing with the theory and practice of their continuous drawing. In this article, we propose to sketch the history of this chapter in the writings of al-Qūhī and al-Sijzī. A hitherto unknown treatise by al-Sijzī - established, translated, and commented - has enabled us better to situate and understand the themes of this new research, and how it eventually approached the problem (...) of the classification of curves in previously unknown terms. (shrink)

The perfect compass, used by al-Qūhī, al-Sijzī and his successors for the continuous drawing of conic sections, reappeared after a long eclipse in the works of Renaissance mathematicians like Francesco Barozzi in Venice. The resurgence of this instrument seems to have depended on its interest to solve new optico-perspective problems. Having reviewed the various instruments designed for the drawing of conic sections, the article is focused on the sole conic compass. Theoretical and empirical applications are detailed. Contrarily to the common (...) thesis of an independant discovery, various elements suggest a direct descent between the birkār al-tāmm of the Arabic mathematical tradition and the Italian conic compass. Then we present the most probable transmission hypothesis involving: 1° Ibn Yūnus and his disciples of Mosul, 2° Sultan Malik al-Kāmil in Damas, 3° Master Theodore and Frederick II at the court of Sicily, 4° Andalò di Negro and Robert of Anjou in Naples, 5° Lorenzo della Volpaia, Vinci, Sangallo and Michelangelo in Florence, 6° Ausonio, Contarini, Thiene and Francesco Barozzi in Venice. (shrink)