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  1. Prints and Visual Communication.Wolfgang Lederer - 1953 - Journal of Aesthetics and Art Criticism 12 (2):276-276.
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  • The Emergence of a Visual Language for Geological Science 1760—1840.Martin J. S. Rudwick - 1976 - History of Science 14 (3):149-195.
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  • On Photography.Susan Sontag - 1978 - Journal of Aesthetics and Art Criticism 36 (4):514-515.
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  • Amateurs versus Professionals: The Controversy over Telescope Size in Late Victorian Science.John Lankford - 1981 - Isis 72:11-28.
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  • Astronomers Mark Time: Discipline and the Personal Equation.Simon Schaffer - 1988 - Science in Context 2 (1):115-145.
    The ArgumentIt is often assumed that all sciences travel the path of increasing precision and quantification. It is also assumed that such processes transcend the boundaries of rival scientific disciplines. The history of the personal equation has been cited as an example: the “personal equation” was the name given by astronomers after Bessel to the differences in measured transit times recorded by observers in the same situation. Later in the nineteenth century Wilhelm Wundt used this phenomenon as a type for (...)
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  • George Biddell Airy and horology.J. A. Bennett - 1980 - Annals of Science 37 (3):269-285.
    As Astronomer Royal from 1835 till 1881, G. B. Airy had a very important influence on nineteenth-century British astronomy. His personal qualities combined with his office to give him a position of great authority within the astronomical and general scientific communities, and his powers of organization and work on instrumentation transformed the Royal Observatory. A feature of Airy's work was an extensive interest in horology—particularly in astronomical regulators, marine chronometers and driving clocks for chronographs and equatorial telescopes. He was also (...)
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