The present edition provides a detailed and accessible discussion ofhis theories and adds an account of the immediate responses to the book on publication.

Introduction: Science and Common Sense Long before the beginnings of modern civilization, men ac- quired vast funds of information about their environment. ...

Like the latter, it unites into one and the same function the possibility of giving things a sign, of representing one thing by another, and the possibility of causing a sign to shift in relation to what it designates. The four functions that define the ...

INTRODUCTION I first read Charles Darwin's masterpiece, On the Origin of Species , some twenty years ago. At once I fell under its spell - an emotion which ...

In this groundbreaking new study, Lowell Nissen explores the use of teleological language in the study of subjects such as behaviorism, negative feedback, and natural selection. He argues that all existing analyses fail to explain how teleological language can be used legitimately, and provides his own analysis in terms of intentionality.

The section on the Argument from Design in collections of readings in the philosophy of religion usually begins with an expository selection drawn from Archdeacon William Paley’s Natural Theology, and follows with a critical selection drawn from David Hume’s Dialogues Concerning Natural Religion. Only from the footnotes does the student learn that Hume’s Dialogues was published over twenty years before Paley’s Natural Theology. Probably the student will feel that Hume’s devastating critique of the Argument must strike every reasonable person with (...) equal force, and so he will conclude that Paley must have been an archetypal intellectual conservative—a man whose ideas were dead and fossilized long before he put pen to paper. In fact, historically, the very opposite was the case. Although few could deny Hume’s towering intellect—“God’s greatest gift to the infidel” one fellow Scot grudgingly called him—Hume failed entirely to break the hold that the Argument from Design had on people’s imaginations. As many of us feel about Descartes’s arguments from illusion, people “knew” that somehow there must be a flaw in Hume’s argumentation, for, in the words of the anatomist Richard Owen, organic characters like the hand, the foot, and the eye, bear “irrefragable evidence of creative foresight.” Far from being outdated before it appeared, Paley’s book, in which he drew lucidly upon the most recent findings in natural science, rapidly became the standard work on the Argument from Design. It was, for instance, considered essential reading in any young man’s university education. (shrink)