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  1. (1 other version)Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge: Harvard University Press.
    Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.
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  • Sense and Sensibilia.John Langshaw Austin - 1962 - Oxford University Press. Edited by G. Warnock.
    This book is the one to put into the hands of those who have been over-impressed by Austin 's critics....[Warnock's] brilliant editing puts everybody who is concerned with philosophical problems in his debt.
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  • Vision Science: Photons to Phenomenology.Stephen Palmer - 1999 - MIT Press.
    This textbook on vision reflects the integrated computational approach of modern research scientists, combining psychological, computational and neuroscientific perspectives.
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  • Sense and Sensibilia.J. L. Austin - 1962 - Oxford University Press USA.
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  • (1 other version)Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.
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  • (1 other version)Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.
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  • Perception And The Physical World.David Malet Armstrong - 1961 - New York,: Humanities Press.
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  • Art and its objects: with six supplementary essays.Richard Wollheim - 1980 - New York: Cambridge University Press. Edited by Richard Thomas Eldridge.
    What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.
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  • On art and the mind.Richard Wollheim - 1973 - Cambridge: Harvard University Press.
    Collected essays and lectures reflect the philosopher's belief in the relationship between art and the mind.
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  • On Art and the Mind.Richard Wollheim - 1974 - Philosophy 50 (191):113-117.
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  • In defense of seeing-in.Richard Wollheim - 2003 - In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking into Pictures. MIT Press. pp. 3--16.
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  • Seeing-In and seeing fictionally.Kendall Walton - 1992 - In J. Hopkins & A. Savile (eds.), Psychoanalysis Mind and Art. Blackwell. pp. 281--291.
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  • The dual nature of picture perception: A challenge to current general accounts of visual perception.Reinhard Niederée & Dieter Heyer - 2003 - In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking into Pictures. MIT Press. pp. 77--98.
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  • Comparative overview of perception of distal and proximal visual attributes.Dejan Todorovic - 2002 - In D. Heyer (ed.), Perception and the Physical World: Psychological and Philosophical Issues in Perception. John Wiley and Sons. pp. 37--74.
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