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  1. The Last Bath of Agamemnon.Richard Seaford - 1984 - Classical Quarterly 34 (02):247-.
    Most of the work done on tracing persistent themes and images in the Oresteia has failed to take account of the associations of the theme or image for the original audience. Some of these associations are with certain highly emotional rituals. In evoking the ritual the poet evokes also some at least of the emotion which generally accompanies its performance. I will take here as an example the association of the manner of Agamemnon's death, the fatal bath and the fatal (...)
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  • Ancient Philosophy, Mystery, and Magic: Empedocles and Pythagorean Tradition.Peter Kingsley - 1996 - Zeitschrift für Philosophische Forschung 50 (4):641-644.
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  • The tragic wedding.Richard Seaford - 1987 - Journal of Hellenic Studies 107:106-130.
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  • Civic Ideology and the problem of difference: the politics of Aeschylean tragedy, once again.Simon Goldhill - 2000 - Journal of Hellenic Studies 120:34-56.
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  • Agnostos Theos.Ralph Hermon Tukey & Eduard Norden - 1914 - American Journal of Philology 35 (1):81.
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  • Homer and the Monuments.H. L. Lorimer - 1951 - Journal of Aesthetics and Art Criticism 10 (2):183-184.
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  • Apollo in ivy: the tragic Paean.Ian Rutherford - forthcoming - Arion 3 (1).
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  • Sophokles and the Mysteries.Richard Seaford - 1994 - Hermes 122 (3):275-288.
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  • Tragic money.Richard Seaford - 1998 - Journal of Hellenic Studies 118:119-139.
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