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  1. Hearing Musical Works In Their Entirety.Nick Mcadoo - 1997 - British Journal of Aesthetics 37 (1):66-74.
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  • Real Time Ii.D. H. Mellor - 1998 - New York: Routledge.
    _Real Time II_ extends and evolves DH Mellor's classic exploration of the philosophy of time,_Real Time._ This new book answers such basic metaphysical questions about time as: how do past, present and future differ, how are time and space related, what is change, is time travel possible? His _Real Time_ dominated the philosophy of time for fifteen years. _Real TIme II_ will do the same for the next twenty. GET /english/edu/Studying_at_SU/History_of_Literature.html HTTP/1.0.
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  • Real time II.David Hugh Mellor - 1998 - New York: Routledge.
    Real Time II extends and evolves D.H. Mellor's classic exploration of the philosophy of time, Real Time . This wholly new book answers such basic metaphysical questions about time as: how do past, present and future differ, how are time and space related, what is change, is time travel possible? His Real Time dominated the philosophy of time for fifteen years. This book will do the same for the next twenty years.
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  • Logische Untersuchungen: Untersuchungen zur Phänomenologie und Theorie der Erkenntnis.Edmund Husserl (ed.) - 1984 - Tübingen,: de Gruyter.
    Husserls »Logische Untersuchungen« sind eines der folgenreichsten Werke der neueren Philosophiegeschichte. Mit dem ersten Erscheinen in den Jahren 1900 und 1901 (Max Niemeyer Verlag, Halle/Saale) nimmt jene Schule ihren Anfang, deren Name im Untertitel des zweiten Bandes zum ersten Mal sinnfällig wird: die Phänomenologie. Husserl sah damals in diesem Werk »Versuche zur Neubegründung der reinen Logik und Erkenntnistheorie«, die den Grund zu einem größeren Gedankengebäude zu legen imstande waren. Sie wollten freilich kein bloßes Programm sein, sondern »Fundamentalarbeit an den unmittelbar (...)
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  • The development of Husserl's thought.J. N. Mohanty - 1995 - In Barry Smith & David Woodruff Smith (eds.), The Cambridge companion to Husserl. New York: Cambridge University Press. pp. 45.
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  • Music in the moment.Jerrold Levinson - 1997 - Ithaca, N.Y.: Cornell University Press.
    Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not.
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  • Vorlesungen zur Phänomenologie des inneren Zeitbewußtseins.Edmund Husserl - 1980 - De Gruyter.
    -Das durchgehende Thema der vorliegenden Untersuchung ist die zeitliche Konstitution eines reinen Empfindungsdatums und die einer solchen Konstitution zugrunde liegende Selbstkonstitution der 'phanomenologischen Zeit'.- Martin Heidegger, 1928".
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  • Music in the Moment.Jerrold Levinson - 1999 - Philosophical Quarterly 49 (196):403-405.
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  • Whole/Part Relations in Music: An Exploratory Study.Douglas Bartholomew - 1991 - The Journal of Aesthetic Education 25 (3):175.
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  • The phenomenological dimension.Jaakko Hintikka - 1995 - In Barry Smith & David Woodruff Smith (eds.), The Cambridge companion to Husserl. New York: Cambridge University Press.
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  • African Philosophy's Search for Identity.Lewis R. Gordon - 1997 - CLR James Journal 5 (1):98-117.
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  • The Experiencing of Musical Sound: Prelude to the Phenomenology of Music.F. Joseph Smith - 1981 - Journal of Aesthetics and Art Criticism 40 (2):224-224.
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  • Music in the Moment.Gary Iseminger & Jerrold Levinson - 2000 - Philosophical Review 109 (1):141.
    Jerrold Levinson’s Music in the Moment is a welcome addition to the impressive list of books in aesthetics, particularly the philosophy of music, published in the last several years by Cornell University Press. In it Levinson expounds and defends a view, inspired by the work of the nineteenth-century English psychologist and musician Edmund Gurney, that he calls “concatenationism.” This view is billed as “a defense of the intuitive listener” against Schenkerian and other “architectonicist” theorists promoting the notion that “elaborate apprehensions (...)
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  • Musical unity and sentential unity.Roy W. Perrett - 1999 - British Journal of Aesthetics 39 (2):97-111.
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  • Music as Heard.Lewis Rowell & Thomas Clifton - 1986 - Journal of Aesthetic Education 20 (1):119.
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  • Hearing musical works in their entirety.Nick McAdoo - 1997 - British Journal of Aesthetics 37 (1):66-74.
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