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  1. The Democratic Paradox.Chantal Mouffe - 2000 - Verso.
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  • Interruptions: Derrida and Hospitality.Mark W. Westmoreland - 2008 - Kritike 2 (1):1-10.
    Come in. Welcome. Be my guest and I will be yours. Shall we ask, in accordance with the Derridean question, "Is not hospitality an interruption of the self?" What is the relationship between the interruption and the moment one enters the host's home? Derrida calls us toward a new understanding of hospitality - as an interruption. This paper will illuminate the history of hospitality in the West as well as trace Derrida's discussions of hospitality throughout many of works. The overall (...)
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  • Espacio, Saber y Poder.Michel Foucault - 1984 - In The Foucault Reader. Vintage.
    “ S pace, K no w l edge and P o w e r ” , en tr ev i s t a r ea l i z a d a en 1982 y pub li cada en P aul R ab i no w , The Foucau l t R eade r , N ueva Y o r k, 1984. A quí se pub li ca de acue r do a l a ve r s i ón f r (...)
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  • Presence, truth, and authenticity.Thomas Baldwin - 2008 - In Simon Glendinning & Robert Eaglestone (eds.), Derrida's Legacies: Literature and Philosophy. New York: Routledge.
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  • Of Grammatology.Jacques Derrida - 1982 - Philosophy and Rhetoric 15 (1):66-70.
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  • Specters of Marx: The State of the Debt, the Work of Mourning & the New International.Jacques Derrida, Peggy Kamuf, Bernd Magnus & Stephen Cullenberg - 1996 - Utopian Studies 7 (2):245-246.
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  • Poetics of Relation.Eric Prieto, Edouard Glissant & Betsy Wing - 1990 - Substance 27 (1):144.
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  • Response to Levinas.Kevin McCain - 2006 - Gnosis 8 (1):66-71.
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  • Levinas and the Ethics of Imagining.Richard Kearney - 2002 - In Dorota Glowacka & Stephen Boos (eds.), Between Ethics and Aesthetics: Crossing the Boundaries. State University of New York Press. pp. 85-95.
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  • On Photography.Susan Sontag - 1978 - Journal of Aesthetics and Art Criticism 36 (4):514-515.
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  • Representing Contemporary War.David Campbell - 2003 - Ethics and International Affairs 17 (2):99-108.
    Sontag's photos of Sarajevo question "the notion of the CNN effect" because "[t]he political context into which the pictures were being inserted was already set, with military intervention not an option, and no amount of horrific photographs was going to change that.".
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  • Derrida.Alexander Nehamas & Christopher Norris - 1991 - Philosophical Review 100 (2):303.
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  • "Speech versus writing" in Derrida and bhartṛhari.Harold G. Coward - 1991 - Philosophy East and West 41 (2):141-162.
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