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  1. Jason, Hypsipyle, and New Fire at Lemnos. A Study in Myth and Ritual.Walter Burkert - 1970 - Classical Quarterly 20 (1):1-16.
    History of religion, in its beginnings, had to struggle to emancipate itself from classical mythology as well as from theology and philosophy; when ritual was finally found to be the basic fact in religious tradition, the result was a divorce between classicists, treating mythology as a literary device, on the one hand, and specialists in festivals and rituals and their obscure affiliations and origins on the other.
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  • Mythological Paradeigma in the Iliad.M. M. Willcock - 1964 - Classical Quarterly 14 (02):141-.
    AN inquiry into the use of paradeigma in the Iliad must begin with Niobe. At 24. 602 Achilles introduces Niobe in order to encourage Priam to have some food. The dead body of the best of Priam's sons has now been placed on the wagon ready for its journey back to Troy. Achilles says , ‘Now let us eat. For even Niobe ate food, and she had lost twelve children. Apollo and Artemis killed them all; they lay nine days in (...)
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  • Mythological Paradeigma in the Iliad.M. M. Willcock - 1964 - Classical Quarterly 14 (2):141-154.
    AN inquiry into the use of paradeigma in theIliadmust begin with Niobe. At 24. 602 Achilles introduces Niobe in order to encourage Priam to have some food. The dead body of the best of Priam's sons has now been placed on the wagon ready for its journey back to Troy. Achilles says, ‘Now let us eat. For even Niobe ate food, and she had losttwelvechildren. Apollo and Artemis killed them all; they lay nine days in their blood and there was (...)
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  • Jason, Hypsipyle, and New Fire at Lemnos. A Study in Myth and Ritual.Walter Burkert - 1970 - Classical Quarterly 20 (01):1-.
    History of religion, in its beginnings, had to struggle to emancipate itself from classical mythology as well as from theology and philosophy; when ritual was finally found to be the basic fact in religious tradition, the result was a divorce between classicists, treating mythology as a literary device, on the one hand, and specialists in festivals and rituals and their obscure affiliations and origins on the other.
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