This book examines the philosophy of Gabriel Marcel and its relationship to key figures in classical American philosophy, in particular Josiah Royce, William Ernest Hocking, and Henry Bugbee.

French existentialist philosopher Gabriel Marcel is one of the most influential thinkers of the twentieth century. The central themes of his philosophy, which are developed with a blend of realism, concreteness, and common sense, continue to be relevant for the plight of humanity in the twentieth-first century. All of Marcel’s important ideas are introduced here, ranging from his unique conception of philosophy; to his original approach to epistemology and the nature of knowledge; to his view on the nature of the (...) human person, including the idea of beingin- a-situation and the importance of the “context” that the subject lives in for the subject’s ideas and experiences; to his approach to religious themes, including the issues of the rationality of religious belief, the question of God’s existence, and our longing for the transcendent; and his “concrete approaches” of fidelity, hope, love and faith. There are also selections in which he discusses some of his misgivings about the direction of contemporary culture, especially the effects of technology. (shrink)

"Every other is truly other, but no other is wholly other." This is the claim that Aspects of Alterity defends. Taking up the question of otherness that so fascinates contemporary continental philosophy, this book asks what it means for something or someone to be other than the self. Levinas and those influenced by him point out that the philosophical tradition of the West has generally favored the self at the expense of the other. Such a self-centered perspective never encounters the (...) other qua other, however. In response, postmodern thought insists on the absolute otherness of the other, epitomized by the deconstructive claim "every other is wholly other." But absolute otherness generates problems and aporias of its own. This has led some thinkers to reevaluate the notion of relative otherness in light of the postmodern critique, arguing for a chiastic account that does justice to both the alterity and the similitude of the other. These latter two positions--absolute otherness and a rehabilitated account of relative otherness--are the main contenders in the contemporary debate.The philosophies of Emmanuel Levinas and Gabriel Marcel provide the point of embarkation for coming to understand the two positions on this question. Levinas and Marcel were contemporaries whose philosophies exhibit remarkably similar concern for the other but nevertheless remain fundamentally incompatible. Thus, these two thinkers provide a striking illustration of both the proximity of and the unbridgeable gap between two accounts of otherness.Aspects of Alterity delves into this debate, first in order understand the issues at stake in these two positions and second to determine which description better accounts for the experience of encountering the other.After a thorough assessment and critique of otherness in Levinas's and Marcel's work, including a discussion of the relationship of ethical alterity to theological assumptions, Aspects of Alterity traces the transmission and development of these two conceptions of otherness. Levinas's version of otherness can be seen in the work of Jacques Derrida and John D. Caputo, while Marcel's understanding of otherness influences the work of Paul Ricoeur and Richard Kearney.Ultimately, Aspects of Alterity makes a case for a hermeneutic account of otherness. Otherness itself is not absolute, but is a chiasm of alterity and similitude. Properly articulated, such an account is capable of addressing the legitimate ethical and epistemological concerns that lead thinkers to construe otherness in absolute terms, but without the "absolute aporias" that accompany such a characterization. (shrink)

This essay attempts to address ethical issues concerning interpretation and art practices. It explores an alternative to both modern institutional authority and postmodern nihilism by referring to the concept of 'creative fidelity' developed by the French 'existentialist' philosopher Gabriel Marcel. As it is well known, contemporary radical reactions against the excesses of modernity in the Western world have led to a profound mistrust in the idea of subject/object, and have as a result favoured attitudes which tend to dissolve such a (...) dichotomy. These attitudes, by expressing the contingency, indeterminacy, or groundlessness of meaning, have triggered the disappearance of the Self, authorship, authenticity and in-sight. How is it therefore possible to interpret, make, or even teach art in a meaningful manner without imposing frameworks, closures, boundaries, or perspectives? This, it is argued, can be achieved by understanding the vital complementary relationship between innovation and faith, creativity and fidelity, renewal and consideration, offering thus a possible alternative to today's crisis of meaning in art. /// Este ensaio visa o tratamento de questões éticas relativas à interpretação e às práticas artísticas, explorando uma alternativa tanto à autoridade institucional moderna como ao niilismo pós-moderno a partir de uma reflexão sobre o conceito de "fidelidade criativa" desenvolvida pelo filósofo existencialista francês Gabriel Mareei É sabido que as reacções radicais contemporâneas contra os excessos da modernidade no mundo ocidental conduziram a uma profunda desconfiança da ideia de sujeito/objecto, resultando no favorecimento de atitudes que tendem a dissolver essa dicotomia. Estas atitudes, mediante a expressão da contingência, indeterminismo ou ausência de fundamento para o sentido, levaram a um desaparecimento do Si-mesmo, do princípio do autor, da autenticidade e da intelecção interior. Como é que será possível interpretar, fazer, ou até ensinar arte com sentido sem ao mesmo tempo impor esquemas, limites ou perspectivas? Isto, assim vai o argumento, pode ser alcançado mediante a compreensão do relacionamento vital complementar entre inovação e fé, criatividade e fidelidade, renovação e consideração, oferecendo dessa forma uma possível alternativa para a contemporânea crise de sentido na arte. (shrink)

Thomas Anderson has argued that the philosophies of Kierkegaard and Marcel are mutually exclusive. He explains that although Kierkegaard and Marcel have much in common, their two paths are ultimately “fundamentally irreconcilable.” Although an ecumenical interpretation of these philosophers is rejected by Anderson, the following article attempts to challenge this view, and provide further reflection upon their approach to God. It undertakes a more detailed analysis of their supposed opposition, and defends the view that their differences are, in fact, typically (...) misunderstood, exaggerated, or both, and that the judgment of mutual exclusivity is at very least not well founded, if not a misunderstanding of the common themes in both philosophers. The article explores the view that Kierkegaard and Marcel‟s philosophies can, in the end, be reconciled in a fruitful way. (shrink)

Gabriel Marcel’s reflective method is animated by his extraphilosophical commitment to battle the ever-present threat of dehumanization in late Western modernity. Unfortunately, Marcel neglected to examine what is perhaps the most prevalent threat of dehumanization in Western modernity: antiblack racism. Without such an account, Marcel’s reflective method is weakened because it cannot live up to its extraphilosophical commitment. Tunstall remedies this shortcoming in his eloquent new volume.

This paper examines the postmodern question of the otherness of the other from the perspective of Gabriel Marcel’s philosophy. Postmodernity—typified by philosophical movements like deconstruction—has framed the question of otherness in all-or-nothing terms; either the other is absolutely, wholly other or the other is not other at all. On the deconstructive account, the latter position amounts to a kind of “violence” against the other. Marcel’s philosophy offers an alternative to this all-or-nothing model of otherness. His thought can satisfy the fundamental (...) (and legitimate) ethical and philosophical concerns of postmodern thinkers without resorting to the paroxysmal hyperbole that characterizes philosophies of absolute otherness. Moreover, Marcel’s critique of the “spirit of abstraction” offers a unique perspective on what might motivate such paroxysmal hyperbole. (shrink)

While some philosophers suggest that mystical experience may provide evidence for belief in God, skeptics doubt that there is adequate warrant for even accepting the claim of a mystical experience as evidence for anything, except perhaps for some kind of mental instability. Drawing from the work of Gabriel Marcel, I argue that the pervasive philosophical skepticism about the evidential status of mystical experiences is misguided because it rests on too narrow a view about ways of knowing and about what can (...) count as evidence for belief in the divine. I illustrate the advantages of Marcel’s approach by applying it to the respective spiritual journeys of Augustine of Hippo and Abu Hamid Muhammad al-Ghazali. I then argue that Marcel’s framework improves on contemporary analytic approaches because it captures more accurately the kind of knowledge that mystical experiences convey as reported by the subjects who claim to have them. (shrink)

In this paper, I take for granted that, today, something is radically wrong metaphysically with Western culture. I maintain that this problem arises, as Marcelsays, from the very depths of our being. This paper’s purpose is to consider some aspects of Marcel’s metaphysical teaching, especially about our need tostart philosophizing in the concrete, not the abstract, situation, to battle against the spirit of abstraction, and use these reflections for the practical purpose ofconsidering what sorts of steps we need to take (...) at the present moment to recover philosophical practice in the postmodern age. Within the context of this paper,I argue that Marcel is a realist humanist in the tradition of Plato and Aquinas whose battle against the spirit of abstraction is fundamentally a fight againstnominalism and sophistry. (shrink)

This article originally appeared in The Commonweal (October 5, 1962): 31–3. Michael Novak, a graduate student at the time, met Marcel while he was at Harvard University to deliver the William James lectures in the fall of 1961. Those lectures were subsequently printed in the volume, The Existential Background ofHuman Dignity (1963). The article is reprinted here with the kind permission of Michael Novak and the Commonweal magazine.

Few reference works in philosophy have articles on hope. Few also are systematic or large-scale philosophical studies of hope. Hope is admitted to be important in people's lives, but as a topic for study, hope has largely been left to psychologists and theologians. For the most part philosophers treat hope en passant. My aim is to outline a general theory of hope, to explore its structure, forms, goals, reasonableness, and implications, and to trace the implications of such a theory for (...) atheism or theism. What has been written is quite disparate. Some see hope in an individualistic, often existential, way, and some in a social and political way. Hope is proposed by some as essentially atheistic, and by others as incomprehensible outside of one or another kind of theism. Is it possible to think consistently and at the same time comprehensively about the phenomenon of human hoping? Or is it several phenomena? How could there be such diverse understandings of so central a human experience? On what rational basis could people differ over whether hope is linked to God? What I offer here is a systematic analysis, but one worked out in dialogue with Ernst Bloch, Immanuel Kant, and Gabriel Marcel. Ernst Bloch of course was a Marxist and officially an atheist, Gabriel Marcel a Christian theist, and Immanuel Kant was a theist, but not in a conventional way. (shrink)

After reviewing how Jean Wahl interprets the early Marcel, specifically his Metaphysical Journal, in a seminal work whose title captured the philosophical spiritof the 1930s, Vers le concret (“Toward the Concrete”), I discuss the existentialist style of philosophizing, offer five criteria for judging a philosopher to be an existentialist and submit Marcel’s work to each. I turn to the appropriateness of calling him a neo-Socratic philosopher, an appellation he seemed to prefer, and conclude with some observations of how this mixture (...) of the Socratic and the existentialist places Marcel in the lineage of those like Michel Foucault and Pierre Hadot who speak of philosophy less as a doctrine and more as a way of life. (shrink)

Both Gabriel Marcel and Martin Heidegger hold that the proper task of philosophy is to think mystery. This is not the unknown as such; rather it is what ever again gives rise to thought. For both philosophers, representational thinking is inadequate to this subject matter. The present study explicates their attempts to approach mystery and identifies their final difference. For Marcel, the domain of mystery is opened in interpersonal presence; for Heidegger, mystery is opened in the appropriation of being. Marcel’s (...) mystery gives rise to thinking because of its fullness; Heidegger’s mystery gives rise to thinking because it withdraws. (shrink)

This article on mystery and hope at the boundary of reason in the postmodern situation responds to the challenge of postmodern thinking to philosophyby a recourse to the works of Gabriel Marcel and his best disciple, Paul Ricoeur. It develops along the lines of their interpretation of hope as a central phenomenon in human experience and existence, thus shedding light on the philosophical enterprise for the future. It is our purpose to dwell briefly on this postmodern challenge and then, incorporating (...) its positive contribution, to present theirs as an alternative philosophy at the boundary of reason. (shrink)

Peter A. Bertocci; XI—Descartes and Marcel on the Person and his Body: A Critique, Proceedings of the Aristotelian Society, Volume 68, Issue 1, 1 June 1968, Pag.

The question of personal immortality is a central one for Gabriel Marcel. Early in his life he took part in parapsychological experiments which convincedhim that one could, rarely and with great difficulty, communicate with the dead. In a philosophical vein he argued that each self has an eternal dimension which isof eternal worth. This dimension is particularly manifest in self-sacrifice, where I find it meaningful to give my life for another and when I unconditionally commitment myself in love to another (...) self. Marcel also cites the experience of trust or hope, and the experience that life is not an absurd freak accident of nature destined for eternal extinction but rather possesses absolute meaning and value. Yet, none of the above experiences involves certitude; one remains free to accept or reject them and what they claim to involve. (shrink)

The plays in this new volume were written early in Marcel’s career, and were published together under the title Le Seuil invisible (The Invisible Threshold) in 1913. The first play, Grace, explores the theme of religious conversion. The drama depicts a crisis between characters of genuine depth and sincerity, who are struggling with different interpretations of shared experiences. Similar themes are addressed but developed differently in the second play, The Sandcastle. This drama explores the confrontation between one’s beliefs and their (...) consequences when faced with challenging family and social circumstances. The play asks us to think about what happens when our beliefs and theories, especially about religion, morality and politics, come up against situations in life that can test them. Both plays illustrate one of the major themes of both Marcel’s dramatic and philosophical work: that life’s most profound, fulfilling experiences are compromised more than ever in what he describes as the modern, broken world (le monde cassé), one unfortunately characterized by alienation, loss of meaning and feelings of despair. (shrink)

Introduction: An unplaced French philosopher -- pt. 1. Time and subjectivity. Being and time -- Phenomenlogical time -- Conclusions: metaphysics and presence -- pt. 2. Time and the problem of hermeneutics. Narrative time -- Marcel's theatre: an-other time -- Conclusion: between Ricœur and Lévinas -- pt. 3. Time and eternity. Time and God -- General conclusion: Toward what metaphysics?

A comprehensive study of the thought of this French philosopher, the foremost Christian existentialist of this century.

Includes summary but substantial accounts of the thought of Kierkegaard, Nietzsche, Jaspers, Marcel, Heidegger and Sartre, and a concluding essay that attempts to interpret the whole Existentialist movement.

This book is the fruit of a critical inquiry into the nature and scope of Marcel's philosophie achievement. As such, it is concerned less with affixing the appropriate label (personalist or existentialist) to Marcel's thought -and with it making it stick - than with discovering the precise impulse and tenor ofhis philosophy. In the process ofthat more general inquiry, the writer found being forced upon hirn a central concept as integrating focus of Marcel's philosophie investigations. This eoneept was that of (...) the person. Gradually it emerged as a concept not only of prime importance for understanding the underlying harmony that pervades Marcel's professedly unsystematic researches, but equally as one of profound significanee for any philosophy that pretends adequately to aecount for human experienee. Furthermore, it seemed that the eoneept derived much ofthat significance from its acceptance precisely in the context of Marcel's thought. This feature ofMareel's philosophie writings alone is warrant enough for overeoming any initial embarrassment aroused in Anglo-Saxon breasts by his style. For, to speak candidly, that style is of a generation and a climate whose tastes little aecord with palates trained to a greater astringeney. Nor will Marcel's evident and unashamed coneern with life and its problems necessarily evoke a warm response in minds aceustomed to operate in an atmosphere of stricter and more aeademic reserve. (shrink)

This series presents issues which are central to 20th-century European thought, but unfamiliar to students of Anglo-American philosophy. In this book the author traces the development of the concept of situation through the work of Gabriel Marcel, Sartre, Simone de Beauvoir and Merleau-Ponty.

This book illustrates the profound implications of Gabriel Marcel's unique existentialist approach to epistemology not only for traditional themes in his work concerning ethics and the transcendent, but also for epistemological issues, concerning the objectivity of knowledge, the problem of skepticism, and the nature of non-conceptual knowledge, among others. There are also chapters of dialogue with philosophers, Jacques Maritain and Martin Buber. In focusing on these themes, the book makes a distinctive contribution to the literature on Marcel.Brendan Sweetman, a native (...) of Dublin, Ireland, is Professor of Philosophy at Rockhurst University, Kansas City, MO, USA. His books include Why Politics Needs Religion: The Place of Religious Arguments in the Public Square (InterVarsity, 2006) and Religion: Key Concepts in Philosophy (Continuum Books, 2007). He has coauthored or coedited several other books, including Truth and Religious Belief (M.E. Sharpe, 1998), and Contemporary Perspectives on Religious Epistemology (Oxford University Press, 1992). Professor Sweetman has published more than fifty articles and reviews in a variety of collections and journals, including International Philosophical Quarterly, American Catholic Philosophical Quarterly, Faith and Philosophy, Philosophia Christi, and Review of Metaphysics. He writes regularly in the areas of continental philosophy, philosophy of religion, political philosophy and ethics. (shrink)

Introduction -- Creative experience as the birthplace of the transcendent -- On refinding God during chemotherapy -- Reflections on moments of grace -- On the quiet virtue of humility -- Summoned to courage -- Maintaining personal dignity in the face of the mass society -- On fidelity and betrayal in love relationships -- The kiss.