Aratus has been notorious for his wordplay since the first decades of his reception. Hellenistic readers such as Callimachus, Leonidas, or ‘King Ptolemy’ seem to have picked up on the pun on the author's own name atPhaenomena2, as well as on the famous λεπτή acrostic atPhaen.783–6 that will be revisited here. Three carefully placed occurrences of the adjective have so far been uncovered in the passage, but for a full appreciation of its elegance we must note that Aratus has set (...) his readers up to notice a fourth. (shrink)

καλὸν δ᾽ ἐπὶ σήματι σῆμασκέπτεσθαι, μᾶλλον δὲ δυοῖν εἰς ταὐτὸν ἰόντωνἐλπωρὴ τελέθοι, τριτάτῳ δέ κε θαρσήσειας. It is a good idea to observe one sign after another, and if two agree, it is more hopeful, while with a third you can be confident. Appropriately for a poet who is ‘subtly speaking’, the epithet applied to him by Ptolemy III Euergetes, Aratus does not cease offering unexpected material to explore. This statement holds true also for the famous passage containing the acrostic (...) ΛΕΠΤΗ. (shrink)