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  1. The Senses Considered as Perceptual Systems.Charles K. West & James J. Gibson - 1969 - Journal of Aesthetic Education 3 (1):142.
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  • Pitch variation is unnecessary for the formation of auditory objects.John G. Neuhoff - 2003 - Cognition 87 (3):219-224.
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  • Auditory and visual objects.Michael Kubovy & David Van Valkenburg - 2001 - Cognition 80 (1-2):97-126.
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  • Auditory stream segregation in Japanese monkeys.Akihiro Izumi - 2002 - Cognition 82 (3):B113-B122.
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  • The Senses Considered as Perceptual Systems.D. W. Hamlyn & James J. Gibson - 1968 - Philosophical Review 77 (3):361.
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  • The Ecological Approach to Visual Perception: Classic Edition.James J. Gibson - 1979 - Houghton Mifflin.
    This is a book about how we see: the environment around us (its surfaces, their layout, and their colors and textures); where we are in the environment; whether or not we are moving and, if we are, where we are going; what things are good for; how to do things (to thread a needle or drive an automobile); or why things look as they do.The basic assumption is that vision depends on the eye which is connected to the brain. The (...)
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  • The Ecological Approach to Visual Perception.Marc H. Bornstein - 1980 - Journal of Aesthetics and Art Criticism 39 (2):203-206.
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  • The Visual Brain in Action.A. David Milner & Melvyn A. Goodale - 1995 - Oxford University Press.
    Although the mechanics of how the eye works are well understood, debate still exists as to how the complex machinery of the brain interprets neural impulses...
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  • The perception of features and objects.Anne Treisman - 1993 - In A. Baddeley & L. Weiskrantz (eds.), Attention: Selection, Awareness and Control. Clarendon Press. pp. 5-35.
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  • The visual brain in action (precis).David Milner - 1998 - PSYCHE: An Interdisciplinary Journal of Research On Consciousness 4.
    First published in 1995, The Visual Brain in Action remains a seminal publication in the cognitive sciences. It presents a model for understanding the visual processing underlying perception and action, proposing a broad distinction within the brain between two kinds of vision: conscious perception and unconscious 'online' vision. It argues that each kind of vision can occur quasi-independently of the other, and is separately handled by a quite different processing system. In the 11 years since publication, the book has provoked (...)
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