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  1. Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge: Harvard University Press.
    Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.
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  • Does Ontology Rest on a Mistake?Stephen Yablo & Andre Gallois - 1998 - Aristotelian Society Supplementary Volume 72:229-283.
    [Stephen Yablo] The usual charge against Carnap's internal/external distinction is one of 'guilt by association with analytic/synthetic'. But it can be freed of this association, to become the distinction between statements made within make-believe games and those made outside them-or, rather, a special case of it with some claim to be called the metaphorical/literal distinction. Not even Quine considers figurative speech committal, so this turns the tables somewhat. To determine our ontological commitments, we have to ferret out all traces of (...)
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  • How in the world?Stephen Yablo - 1996 - In Christopher Hill (ed.), Philosophical Topics. University of Arkansas Press. pp. 255--86.
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  • How in the World?Stephen Yablo - 1996 - Philosophical Topics 24 (1):255-286.
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  • Go figure: A path through fictionalism.Stephen Yablo - 2001 - Midwest Studies in Philosophy 25 (1):72–102.
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  • Metaphor, Idiom, and Pretense.Catherine Wearing - 2012 - Noûs 46 (3):499-524.
    Imaginative and creative capacities seem to be at the heart of both games of make-believe and figurative uses of language. But how exactly might cases of metaphor or idiom involve make-believe? In this paper, I argue against the pretense-based accounts of Walton (1990, 1993), Hills (1997), and Egan (this journal, 2008) that pretense plays no role in the interpretation of metaphor or idiom; instead, more general capacities for manipulating concepts (which are also called on within the use of pretense) do (...)
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  • Metaphor and Prop Oriented Make‐Believe.Kendall L. Walton - 1993 - European Journal of Philosophy 1 (1):39-57.
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  • Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.
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  • Descriptivism, Pretense, and the Frege-Russell Problems.Frederick Kroon - 2004 - Philosophical Review 113 (1):1-30.
    Contrary to frequent declarations that descriptivism as a theory of how names refer is dead and gone, such a descriptivism is, to all appearances, alive and well. Or rather, a descendent of that doctrine is alive and well. This new version—neo-descriptivism, for short—is supposedly immune from the usual arguments against descriptivism, in large part because it avoids classical descriptivism’s emphasis on salient, first-come-to-mind properties and holds instead that a name’s reference-fixing content is typically given by egocentric properties specified in terms (...)
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  • Characterizing Non-existents.Frederick Kroon - 1996 - Grazer Philosophische Studien 51 (1):163-193.
    Consider predicates like 'is a fictional character' and 'is a mythical object'. Since their ascription entails a corresponding Negative Existential claim, call these 'NE-characterizing predicates'. Objectualists such as Parsons, Sylvan, van Inwagen, and Zalta think that NE-characterizing properties are genuine properties of genuinely non-existent objects. But how, then, to make room for statements like 'Vulcan is a failed posit' and 'that little green man is a trick of the light'? The predicates involved seem equally NE-characterizing yet on the surface fail (...)
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  • Problems of paraphrase: Bottom’s dream.David Hills - 2007 - The Baltic International Yearbook of Cognition, Logic and Communication 3.
    Philosophers and critics alike often contend that metaphors cannot or should not be paraphrased, ever. Yet a simple and decisive empirical argument — The Horse’s Mouth Argument—suffices to show that many metaphors can be paraphrased without violating the spirit in which they were put forward in the first place. This argument leaves us with urgent unanswered questions about the role of paraphrase in a more inclusive division of exegetical labor, about the tension between its notorious openendedness and its claim to (...)
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  • Aptness and Truth in Verbal Metaphor.David Hills - 1997 - Philosophical Topics 25 (1):117-153.
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  • Pretense for the Complete Idiom.Andy Egan - 2008 - Noûs 42 (3):381-409.
    Idioms – expressions like kick the bucket and let the cat out of the bag – are strange. They behave in ways that ordinary multi-word expressions do not. One distinctive and troublesome feature of idioms is their unpredictability: The meanings of sentences in which idiomatic phrases occur are not the ones that we would get by applying the usual compositional rules to the usual meanings of their (apparent) constituents. This sort of behavior requires an explanation. I will argue that the (...)
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  • Hesperus and Phosphorus.Mark Crimmins - 1998 - Philosophical Review 107 (1):1-47.
    In “On Sense and Reference,” surrounding his discussion of how we describe what people say and think, identity is Frege’s first stop and his last. We will follow Frege’s plan here, but we will stop also in the land of make-believe.
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  • Two Varieties of Literary Imagination: Metaphor, Fiction, and Thought Experiments.Elisabeth Camp - 2009 - Midwest Studies in Philosophy 33 (1):107-130.
    Recently, philosophers have discovered that they have a lot to learn from, or at least to ponder about, fiction. Many metaphysicians are attracted to fiction as a model for our talk about purported objects and properties, such as numbers, morality, and possible worlds, without embracing a robust Platonist ontology. In addition, a growing group of philosophers of mind are interested in the implications of our engagement with fiction for our understanding of the mind and emotions: If I don’t believe that (...)
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  • Does Ontology Rest on a Mistake?Stephen Yablo - 1998 - Aristotelian Society Supplementary Volume 72 (1):229 - 283.
    [Stephen Yablo] The usual charge against Carnap's internal/external distinction is one of 'guilt by association with analytic/synthetic'. But it can be freed of this association, to become the distinction between statements made within make-believe games and those made outside them-or, rather, a special case of it with some claim to be called the metaphorical/literal distinction. Not even Quine considers figurative speech committal, so this turns the tables somewhat. To determine our ontological commitments, we have to ferret out all traces of (...)
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  • Metaphor.David Hills - 2014 - In Edward N. Zalta (ed.), The Stanford Encyclopedia of Philosophy. Stanford, CA: The Metaphysics Research Lab.
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  • Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.
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  • Truth as a Pretense.James A. Woodbridge - 2005 - In Mark Eli Kalderon (ed.), Fictionalism in Metaphysics. Oxford University Press. pp. 134.
    Truth-talk exhibits certain features that render it philosophically suspect and motivate a deflationary account. I offer a new formulation of deflationism that explains truth-talk in terms of semantic pretense. This amounts to a fictionalist account of truth-talk but avoids an error-theoretic interpretation and its resulting incoherence. The pretense analysis fits especially well with deflationism’s central commitment, and it handles truth-talk’s unusual features effectively. In particular, this approach suggests an interesting strategy for dealing with the Liar paradox. This version of deflationism (...)
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  • A paradox of existence.Stephen Yablo - 2000 - In T. Hofweber & A. Everett (eds.), Empty Names, Fiction, and the Puzzles of Non-Existence. CSLI Publications. pp. 275--312.
    ontology metaontology wright platonism fregean existence epistemology.
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  • Fictional entities.Amie Thomasson - manuscript
    The first question to be addressed about fictional entities is: are there any? The usual grounds given for accepting or rejecting the view that there are fictional entities come from linguistic considerations. We make many different sorts of claims about fictional characters in our literary discussions. How can we account for their apparent truth? Does doing so require that we allow that there are fictional characters we can refer to, or can we offer equally good analyses while denying that there (...)
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